Navigating the Transnational in Modern American Literature and Culture
Herausgeber: Stubbs, Tara; Haynes, Doug
Navigating the Transnational in Modern American Literature and Culture
Herausgeber: Stubbs, Tara; Haynes, Doug
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Tara Stubbs is a University Lecturer in English Literature and Creative Writing in the Department for Continuing Education at Oxford University, UK. Doug Haynes is a Lecturer in American Studies at the School of English, University of Sussex, UK.
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Tara Stubbs is a University Lecturer in English Literature and Creative Writing in the Department for Continuing Education at Oxford University, UK. Doug Haynes is a Lecturer in American Studies at the School of English, University of Sussex, UK.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 314
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 213mm x 137mm x 15mm
- Gewicht: 272g
- ISBN-13: 9780367873059
- ISBN-10: 0367873052
- Artikelnr.: 58482646
- Verlag: CRC Press
- Seitenzahl: 314
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 213mm x 137mm x 15mm
- Gewicht: 272g
- ISBN-13: 9780367873059
- ISBN-10: 0367873052
- Artikelnr.: 58482646
Tara Stubbs is a University Lecturer in English Literature and Creative Writing in the Department for Continuing Education at Oxford University, UK. Doug Haynes is a Lecturer in American Studies at the School of English, University of Sussex, UK.
Introduction: Axes of Influence: Navigating the Transnational
[Tara Stubbs and Doug Haynes]
Dickinson, Plath and The Ballooning Tradition of American Poetry
[Will May]
"Nature is bad art:" Bad Transnationalism from Earthrise to Deep Horizon
[Stephen Ross]
The Man and the Echo: W. B. Yeats in contemporary American poetry and song
[Tara Stubbs]
Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond
[Erica McAlpine]
"Thus he ran from home / toward home:" Influence and Authority in the
Poetry of John Berryman]
[Philip Coleman]
Ginsberg, Burroughs and the Ghosts of the Avant-Garde
[Will Norman]
"Gray and Waiting:" telepathy and terror in Don DeLillo's Falling Man and
Gerhard Richter's October 18, 1977
[Doug Haynes]
The Culture of Realignment: Enlightened and "I can't breathe"
[Stephen Shapiro]
Locating transnationalism: Circle magazine and California modernism in the
1940s
[Joanna Pawlik]
Shifting Peripheries: Basil Bunting, Lorine Niedecker and the Translocal
Avant-Garde
[Annabel Haynes]
Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive
[John Steen]
"A Selective Embrace:" Singling Out All Our Names in Obama's End Times
[John Masterson]
Antagonism, Antagonism!: Faulkner, Haiti, Text
[James Harding]
Typology and Subjectivity in Faulkner and Beowulf
[Hannah Bailey-McKendrick]
Afterword
[Paul Giles]
[Tara Stubbs and Doug Haynes]
Dickinson, Plath and The Ballooning Tradition of American Poetry
[Will May]
"Nature is bad art:" Bad Transnationalism from Earthrise to Deep Horizon
[Stephen Ross]
The Man and the Echo: W. B. Yeats in contemporary American poetry and song
[Tara Stubbs]
Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond
[Erica McAlpine]
"Thus he ran from home / toward home:" Influence and Authority in the
Poetry of John Berryman]
[Philip Coleman]
Ginsberg, Burroughs and the Ghosts of the Avant-Garde
[Will Norman]
"Gray and Waiting:" telepathy and terror in Don DeLillo's Falling Man and
Gerhard Richter's October 18, 1977
[Doug Haynes]
The Culture of Realignment: Enlightened and "I can't breathe"
[Stephen Shapiro]
Locating transnationalism: Circle magazine and California modernism in the
1940s
[Joanna Pawlik]
Shifting Peripheries: Basil Bunting, Lorine Niedecker and the Translocal
Avant-Garde
[Annabel Haynes]
Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive
[John Steen]
"A Selective Embrace:" Singling Out All Our Names in Obama's End Times
[John Masterson]
Antagonism, Antagonism!: Faulkner, Haiti, Text
[James Harding]
Typology and Subjectivity in Faulkner and Beowulf
[Hannah Bailey-McKendrick]
Afterword
[Paul Giles]
Introduction: Axes of Influence: Navigating the Transnational
[Tara Stubbs and Doug Haynes]
Dickinson, Plath and The Ballooning Tradition of American Poetry
[Will May]
"Nature is bad art:" Bad Transnationalism from Earthrise to Deep Horizon
[Stephen Ross]
The Man and the Echo: W. B. Yeats in contemporary American poetry and song
[Tara Stubbs]
Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond
[Erica McAlpine]
"Thus he ran from home / toward home:" Influence and Authority in the
Poetry of John Berryman]
[Philip Coleman]
Ginsberg, Burroughs and the Ghosts of the Avant-Garde
[Will Norman]
"Gray and Waiting:" telepathy and terror in Don DeLillo's Falling Man and
Gerhard Richter's October 18, 1977
[Doug Haynes]
The Culture of Realignment: Enlightened and "I can't breathe"
[Stephen Shapiro]
Locating transnationalism: Circle magazine and California modernism in the
1940s
[Joanna Pawlik]
Shifting Peripheries: Basil Bunting, Lorine Niedecker and the Translocal
Avant-Garde
[Annabel Haynes]
Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive
[John Steen]
"A Selective Embrace:" Singling Out All Our Names in Obama's End Times
[John Masterson]
Antagonism, Antagonism!: Faulkner, Haiti, Text
[James Harding]
Typology and Subjectivity in Faulkner and Beowulf
[Hannah Bailey-McKendrick]
Afterword
[Paul Giles]
[Tara Stubbs and Doug Haynes]
Dickinson, Plath and The Ballooning Tradition of American Poetry
[Will May]
"Nature is bad art:" Bad Transnationalism from Earthrise to Deep Horizon
[Stephen Ross]
The Man and the Echo: W. B. Yeats in contemporary American poetry and song
[Tara Stubbs]
Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond
[Erica McAlpine]
"Thus he ran from home / toward home:" Influence and Authority in the
Poetry of John Berryman]
[Philip Coleman]
Ginsberg, Burroughs and the Ghosts of the Avant-Garde
[Will Norman]
"Gray and Waiting:" telepathy and terror in Don DeLillo's Falling Man and
Gerhard Richter's October 18, 1977
[Doug Haynes]
The Culture of Realignment: Enlightened and "I can't breathe"
[Stephen Shapiro]
Locating transnationalism: Circle magazine and California modernism in the
1940s
[Joanna Pawlik]
Shifting Peripheries: Basil Bunting, Lorine Niedecker and the Translocal
Avant-Garde
[Annabel Haynes]
Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive
[John Steen]
"A Selective Embrace:" Singling Out All Our Names in Obama's End Times
[John Masterson]
Antagonism, Antagonism!: Faulkner, Haiti, Text
[James Harding]
Typology and Subjectivity in Faulkner and Beowulf
[Hannah Bailey-McKendrick]
Afterword
[Paul Giles]