Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways. It offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.
Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways. It offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.
Olivia A. Bloechl is Assistant Professor in the Department of Musicology, University of California, Los Angeles.
Inhaltsangabe
1. On colonial difference and musical frontiers: directions for a postcolonial musicology Part I. Transatlantic Savagery: 2. Protestant imperialism and the metaphysics of new world song 3. The voice of possession 4. The voice of prophecy Part II. Staging the Indian: 5. Musicking Indians in the Stuart court masque 6. Savage Lully 7. Rameau's Les sauvages and the aporia of musical nature Conclusion. Opera, elsewhere.
1. On colonial difference and musical frontiers: directions for a postcolonial musicology Part I. Transatlantic Savagery: 2. Protestant imperialism and the metaphysics of new world song 3. The voice of possession 4. The voice of prophecy Part II. Staging the Indian: 5. Musicking Indians in the Stuart court masque 6. Savage Lully 7. Rameau's Les sauvages and the aporia of musical nature Conclusion. Opera, elsewhere.
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