Patrick Parrinder's new history of the English novel from its beginnings to the present day traces the form's distinctive and often subversive reflection of national identity across the centuries. From the early stories of rogues and criminals to present-day novels of immigration, fiction has played a major part in defining our ideas of England and Englishness. Nation and Novel provides both a comprehensive survey and also a new interpretation of the importance of the English novel. Patrick Parrinder traces English prose fiction from its late medieval origins through its stories of rogues…mehr
Patrick Parrinder's new history of the English novel from its beginnings to the present day traces the form's distinctive and often subversive reflection of national identity across the centuries. From the early stories of rogues and criminals to present-day novels of immigration, fiction has played a major part in defining our ideas of England and Englishness. Nation and Novel provides both a comprehensive survey and also a new interpretation of the importance of the English novel.Patrick Parrinder traces English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the contemporary novels of immigration. He provides both a comprehensive survey and a new interpretation of the importance of the English novel.
Born in Cornwall, Patrick Parrinder grew up in London and south-east England and went on to read English at Cambridge University, where he became a Fellow of King's College. He moved to the University of Reading in 1974, and has been a professor there since 1986. He has been a visiting professor in the United States (University of Illinois, 1978-9; University of California, Santa Barbara, 1989) and Canada (McGill University, 1979). Work on Nation and Novel was aided by a Leverhulme Major Research fellowship (2001-4). He has been a contributor to the London Review of Books and many other journals.
Inhaltsangabe
* Introduction * 1: The Novel and the Nation * 2: Cavaliers, Puritans, and Rogues: English Fiction from 1485 to 1700 * 3: Cross-Grained Crusoe: Defoe and the Contradictions of Englishness * 4: Histories of Rebellion: From 1688 to 1793 * 5: The Novel of Suffering: Richardson, Fielding, and Goldsmith * 6: The Benevolent Robber: From Fielding to the 1790s * 7: Romanitic Toryism: Scott, Disraeli, and Others * 8: Tory Daughters and the Politics of Marriage: Jane Austen, Charlotte Brontë, and Elizabeth Gaskell * 9: 'Turn Again, Dick Whittington!': Dickens and the Fiction of the City * 10: At Home and Abroad in Victorian and Edwardian Fiction: From iVanity Fair/i to iThe Secret Agent/i * 11: Puritan and Provincial Englands: From Emily Brontë to D. H. Lawrence * 12: From Forster to Orwell: The Novel of England's Destiny * 13: From Kipling to Independence: Losing the Empire * 14: Round Tables: Chivalry and the Twentieth-Century English Novel- Sequence * 15: Inward Migrations: Multiculturalism, Anglicization, and Internal Exile * Conclusion: On Englishness and the Twenty-First Century Novel
* Introduction * 1: The Novel and the Nation * 2: Cavaliers, Puritans, and Rogues: English Fiction from 1485 to 1700 * 3: Cross-Grained Crusoe: Defoe and the Contradictions of Englishness * 4: Histories of Rebellion: From 1688 to 1793 * 5: The Novel of Suffering: Richardson, Fielding, and Goldsmith * 6: The Benevolent Robber: From Fielding to the 1790s * 7: Romanitic Toryism: Scott, Disraeli, and Others * 8: Tory Daughters and the Politics of Marriage: Jane Austen, Charlotte Brontë, and Elizabeth Gaskell * 9: 'Turn Again, Dick Whittington!': Dickens and the Fiction of the City * 10: At Home and Abroad in Victorian and Edwardian Fiction: From iVanity Fair/i to iThe Secret Agent/i * 11: Puritan and Provincial Englands: From Emily Brontë to D. H. Lawrence * 12: From Forster to Orwell: The Novel of England's Destiny * 13: From Kipling to Independence: Losing the Empire * 14: Round Tables: Chivalry and the Twentieth-Century English Novel- Sequence * 15: Inward Migrations: Multiculturalism, Anglicization, and Internal Exile * Conclusion: On Englishness and the Twenty-First Century Novel
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