John Izod is Professor of Screen Analysis in the Department of Film and Media Studies, University of Stirling. He is the author of Reading the Screen (1984), Satellite, Cable and Beyond (with Alastair Hetherington, 1984), Hollywood and the Box Office (1988), The Films of Nicolas Roeg: Myth and Mind (1992), and An Introduction to Television Documentary: Confronting Reality (with Richard Kilborn, 1997).
Inhaltsangabe
Acknowledgements Glossary Introduction 1. Jungian theory, textual analysis and audience play 2. Archetypal images: signification and the psyche 3. Archetypal images, symbols and the cultural unconscious 4. The Piano: the animus and colonial experience 5. The pop star as icon 6. The quest of a female hero - The Silence of the Lambs 7. Television sport and the sacrificial hero 8. The polycentred self - The Passion of Darkly Noon 9. Haunted: searching for the whole self 10. Transforming the final ghost - the god within Conclusion Filmography.
Acknowledgements; Glossary; Introduction; 1. Jungian theory, textual analysis and audience play; 2. Archetypal images: signification and the psyche; 3. Archetypal images, symbols and the cultural unconscious; 4. The Piano: the animus and colonial experience; 5. The pop star as icon; 6. The quest of a female hero - The Silence of the Lambs; 7. Television sport and the sacrificial hero; 8. The polycentred self - The Passion of Darkly Noon; 9. Haunted: searching for the whole self; 10. Transforming the final ghost - the god within; Conclusion; Filmography.
Acknowledgements Glossary Introduction 1. Jungian theory, textual analysis and audience play 2. Archetypal images: signification and the psyche 3. Archetypal images, symbols and the cultural unconscious 4. The Piano: the animus and colonial experience 5. The pop star as icon 6. The quest of a female hero - The Silence of the Lambs 7. Television sport and the sacrificial hero 8. The polycentred self - The Passion of Darkly Noon 9. Haunted: searching for the whole self 10. Transforming the final ghost - the god within Conclusion Filmography.
Acknowledgements; Glossary; Introduction; 1. Jungian theory, textual analysis and audience play; 2. Archetypal images: signification and the psyche; 3. Archetypal images, symbols and the cultural unconscious; 4. The Piano: the animus and colonial experience; 5. The pop star as icon; 6. The quest of a female hero - The Silence of the Lambs; 7. Television sport and the sacrificial hero; 8. The polycentred self - The Passion of Darkly Noon; 9. Haunted: searching for the whole self; 10. Transforming the final ghost - the god within; Conclusion; Filmography.
Rezensionen
'Izod's book is a wonderful addition to the slowly growing number of books relating Jungian psychology to film and modern culture ... His background in Jungian and psychoanalytic thought nicely informs a rich, creative summary of the field of psychoanalysis and film and his passion for film and modern media undergirds his analysis of his many excellent examples.' Analytical Psychology
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