My Sweet Little Lamb (Everything We See Could Also Be Otherwise)
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On the legacy of the Eastern European neo-avantgarde and the work of artist Mladen Stilinovic. "My sweet little lamb (Everything we see could also be otherwise)," a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinovic, unfolded in Zagreb and London in 2016-2017. This publication, conceived as a "post-episode" of the project, presents extensive visual documentation of the exhibitions alongside newly commissioned texts by theorists and writers Branislav Dimitrijevic, Miguel A. López, Oxana Timofeeva, and Marina Vishmidt, as well as a…mehr

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Produktbeschreibung
On the legacy of the Eastern European neo-avantgarde and the work of artist Mladen Stilinovic. "My sweet little lamb (Everything we see could also be otherwise)," a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinovic, unfolded in Zagreb and London in 2016-2017. This publication, conceived as a "post-episode" of the project, presents extensive visual documentation of the exhibitions alongside newly commissioned texts by theorists and writers Branislav Dimitrijevic, Miguel A. López, Oxana Timofeeva, and Marina Vishmidt, as well as a conversation on exhibition making with curators Ekaterina Degot, Ana Janevski, Emily Pethick, and Marion von Osten. Drawing on the legacy of the Eastern European neo-avantgarde and the work of Stilinovic in particular, these contributions grapple with urgent questions about the value of art and exhibition making. Contributors >Copublished with Kontakt
Autorenporträt
Emily Pethick has been the director of the Rijksakademie van beeldende kunsten, Amsterdam since 2018. Her writings have appeared in magazines such as Artforum, Afterall, The Exhibitionist, and Frieze, and she has (co-)edited numerous books, including Artistic Ecologies: New Compasses and Tools, Wendelien van Oldenborgh's monograph Amateur (2016), and Cluster: Dialectionary. Pethick lives and works in Amsterdam. Kathrin Rhomberg is a curator based in Vienna. Since 2014 she has been chairwoman and artistic director of the Kontakt Collection, Vienna. She has co-curated, among other exhibitions: "Edi Hila: Painter of Transformation," "Projekt Migration," and Manifesta 3, Ljubljana. What, How & for Whom/WHW (established in Zagreb in 1999) is a curatorial collective based in Berlin, Vienna, and Zagreb, whose members are Ivet Ćurlin, Ana Devic, Natasa Ilic, and Sabina Sabolovic, along with designer and publicist Dejan Krsic. Since 2003 WHW has been running the program of Gallery Nova, a city-owned gallery in Zagreb. In 2018 it launched an international study program for emerging artists called WHW Akademija, based in Zagreb. Jill Winder is a writer and editor with a background in political theory and curatorial studies whose editorial practice is concerned with publishing contemporary art spanning the fields of print and online. Winder lives and works in Berlin.