Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers.
Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers.
Sally Macarthur is a musicologist whose work focuses on recent musical practices in Australia with a particular emphasis on music of the western classical tradition and women's music. She is Associate Professor and Director of Academic Program (Music) in the School of Humanities and Communication Arts at Western Sydney University, Australia. Judy Lochhead is a theorist and musicologist whose work focuses on the most recent musical practices in North America and Europe, with particular emphasis on music of the western classical tradition. She is Professor of Music at Stony Brook University, USA. Jennifer Shaw is a musicologist whose work focuses on the Second Viennese School, music copyright and on creative practice as research. She is Professor and Executive Dean of the Faculty of Arts at the University of Adelaide, Australia.
Inhaltsangabe
List of Figures List of Tables List of Music Examples Notes on Contributors Acknowledgements Introduction Sally Macarthur and Judy Lochhead The Academic Music Machine 1. The Academic Music Machine Sally Macarthur 2. From the Universal and Timeless to the Here and Now: Rethinking Music Studies Susan McClary 3. Music and the Intertextualities of Listening, Performing and Teaching Jennifer Shaw 4. An Immanent Approach to Theory and Practice in Creative Arts Research Joseph Williams Deleuzian Encounters 5. Intra-active Soundings: becoming-woman, becoming-minor Sally Macarthur and Judy Lochhead 6. Chaotic Mappings: On the Ground with Music Judy Lochhead 7. Meeting the Composer Halfway: Which Anne Boyd? Sally Macarthur 8. Schaeffer's Sound Effects Ian Stevenson Materialities of Sounding 9. Applied Aesthetics Judy Lochhead 10. Living Colours: An Asian-Pacific Conceptual Frame for Composition Bruce Crossman 11. Kawaii Aesthetics and the Exchange Between Anime and Music Paul Smith 12. A Musical Portmanteau: Rock Viscerality, Juxtaposition and Modernist Textures in Frumious Holly Harrison Immanent Listening 13. Immanent Listening Sally Macarthur 14. Seeing the Sense: Imagining a New Approach to Acousmatic Music and Listening Michelle Stead 15. Listening to Ethnographic Holocaust Musical Testimony through Jean-Luc Nancy Joseph Toltz Deleuzian Ontologies 16. Musical Becomings Judy Lochhead 17. Material Music: Speculations on Non-Human Agency in Music Greg Hainge Bibliography Index
List of Figures List of Tables List of Music Examples Notes on Contributors Acknowledgements Introduction Sally Macarthur and Judy Lochhead The Academic Music Machine 1. The Academic Music Machine Sally Macarthur 2. From the Universal and Timeless to the Here and Now: Rethinking Music Studies Susan McClary 3. Music and the Intertextualities of Listening, Performing and Teaching Jennifer Shaw 4. An Immanent Approach to Theory and Practice in Creative Arts Research Joseph Williams Deleuzian Encounters 5. Intra-active Soundings: becoming-woman, becoming-minor Sally Macarthur and Judy Lochhead 6. Chaotic Mappings: On the Ground with Music Judy Lochhead 7. Meeting the Composer Halfway: Which Anne Boyd? Sally Macarthur 8. Schaeffer's Sound Effects Ian Stevenson Materialities of Sounding 9. Applied Aesthetics Judy Lochhead 10. Living Colours: An Asian-Pacific Conceptual Frame for Composition Bruce Crossman 11. Kawaii Aesthetics and the Exchange Between Anime and Music Paul Smith 12. A Musical Portmanteau: Rock Viscerality, Juxtaposition and Modernist Textures in Frumious Holly Harrison Immanent Listening 13. Immanent Listening Sally Macarthur 14. Seeing the Sense: Imagining a New Approach to Acousmatic Music and Listening Michelle Stead 15. Listening to Ethnographic Holocaust Musical Testimony through Jean-Luc Nancy Joseph Toltz Deleuzian Ontologies 16. Musical Becomings Judy Lochhead 17. Material Music: Speculations on Non-Human Agency in Music Greg Hainge Bibliography Index
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