Demonstrates how Purcell, Berlioz, Verdi, and Britten, responding to Shakespeare's juxtaposition of contrasting theatrical styles, devised music dramas that call opera into question.
Demonstrates how Purcell, Berlioz, Verdi, and Britten, responding to Shakespeare's juxtaposition of contrasting theatrical styles, devised music dramas that call opera into question.
Daniel ALbright is Ernest Bernbaum Professor of Literature, Harvard University
Inhaltsangabe
The Veronese Social Code The Code of Love Love against Language The Afterlife of Romeo and Juliet La lance branlée: French Opinions of Shakespeare Berlioz in the Plural Roméo et Juliette: Introduction Roméo et Juliette: The Symphony Roméo et Juliette: The Opera Resumes Shakespeare's Random Magic as Theft Prophesying Squinting at Consequences Macbeth's Children Macbeth as an Actor Two Theatres Witches Amok Sortileges of Speech Lady Macbeth as Witch Time Slips La Sonnambula Cosmicomedy The Picture of Cupid Depictorializing Cupid Cupid's Wax The Tedious Brief Scene Other Dreams in Other Summers: The Aesthetic of the Masque Purcell's The Fairy Queen Lampe's Pyramus and Thisbe Experimenters: Mendelssohn and Korngold Britten's A Midsummer Night's Dream
The Veronese Social Code The Code of Love Love against Language The Afterlife of Romeo and Juliet La lance branlée: French Opinions of Shakespeare Berlioz in the Plural Roméo et Juliette: Introduction Roméo et Juliette: The Symphony Roméo et Juliette: The Opera Resumes Shakespeare's Random Magic as Theft Prophesying Squinting at Consequences Macbeth's Children Macbeth as an Actor Two Theatres Witches Amok Sortileges of Speech Lady Macbeth as Witch Time Slips La Sonnambula Cosmicomedy The Picture of Cupid Depictorializing Cupid Cupid's Wax The Tedious Brief Scene Other Dreams in Other Summers: The Aesthetic of the Masque Purcell's The Fairy Queen Lampe's Pyramus and Thisbe Experimenters: Mendelssohn and Korngold Britten's A Midsummer Night's Dream
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