The first English-language book-length treatment of the music of an ethnic minority in Vietnam, Musical Minorities examines how musical sounds shape understandings of social identity, providing a fascinating account of music, minorities, and the state in a post-socialist context.
The first English-language book-length treatment of the music of an ethnic minority in Vietnam, Musical Minorities examines how musical sounds shape understandings of social identity, providing a fascinating account of music, minorities, and the state in a post-socialist context.
Lonán Ó Briain is Assistant Professor and Director of Postgraduate Studies in Music at the University of Nottingham. Previously, he taught at the University of Birmingham and the University of Sheffield. He currently serves as reviews editor for Ethnomusicology Forum and chair of the ICTM Ireland.
Inhaltsangabe
Table of Contents Acknowledgements Notes on Language List of Illustrations About the Companion Website Introduction Chapter 1 On Becoming Vietnamese Chapter 2 Hybridity and the Other in Modern National Music Chapter 3 Hmong Traditional Music and Folklore Chapter 4 Cultural Tourism in Northwestern Vietnam Chapter 5 From Animism to Christianity Chapter 6 Community Reformation in the Diaspora Conclusion Notes Bibliography Glossary Index
Table of Contents Acknowledgements Notes on Language List of Illustrations About the Companion Website Introduction Chapter 1 On Becoming Vietnamese Chapter 2 Hybridity and the Other in Modern National Music Chapter 3 Hmong Traditional Music and Folklore Chapter 4 Cultural Tourism in Northwestern Vietnam Chapter 5 From Animism to Christianity Chapter 6 Community Reformation in the Diaspora Conclusion Notes Bibliography Glossary Index
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