Musical Gentrification

Popular Music, Distinction and Social Mobility
Herausgeber: Dyndahl, Petter; Wright, Ruth; Karlsen, Sidsel

• Gebundenes Buch

Produktbeschreibung

Musical Gentrification is an exploration of the role of popular music in processes of sociocultural inclusion and exclusion in a variety of contexts.

Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 186
• Erscheinungstermin: 3. September 2020
• Englisch
• Abmessung: 236mm x 160mm x 18mm
• Gewicht: 612g
• ISBN-13: 9780367343354
• ISBN-10: 0367343355
• Artikelnr.: 60019158

Autorenporträt

Petter Dyndahl, Professor of Musicology, Music Education and General Education, Inland Norway University of Applied Sciences. Sidsel Karlsen, Professor of Music Education, Norwegian Academy of Music. Ruth Wright, Professor of Music Education, Western University, Canada.

Inhaltsangabe

Chapter 1: Musical Gentrification and Socio-Cultural Diversities: An
Analytical Approach Towards Popular Music Expansion in Egalitarian
Societies
Petter Dyndahl, Sidsel Karlsen and Ruth Wright
Chapter 2: Musical Gentrification: Strategy for Social Positioning in Late
Modern Culture
Petter Dyndahl
Chapter 3: Exploring the Phenomenon of Musical Gentrification: Methods and
Methodologies
Sidsel Karlsen, Mariko Hara, Stian Vestby, Petter Dyndahl, Siw Graabræk
Nielsen and Odd Skårberg
Chapter 4: Musical Gentrification and the (Un)Democratisation of Culture:
Symbolic Violence in Country Music Discourse
Stian Vestby
Chapter 5: Musical Gentrification, Parenting and Children's Media Music
Ingeborg Lunde Vestad and Petter Dyndahl
Chapter 6: Gentrification, Hegemony, Activism and Anarchy: How These
Concepts May Inform the Field of Higher Popular Music Education
Ruth Wright
Chapter 7: Changing Rhythms, Ideas and Status in Jazz: The Case of the
Norwegian Jazz Forum in the 1960s
Odd Skårberg and Sidsel Karlsen
Chapter 8: Musical Gentrification and 'Genderfication' in Higher Music
Education
Siw Graabræk Nielsen
Chapter 9: Musical Agency Meets Musical Gentrification: Exploring the
Workings of Hegemonic Power in (Popular) Music Academisation
Sidsel Karlsen
Chapter 10: Enclosure and Abjection in American School Music
Vincent C. Bates
Chapter 11: Musical Pathways: Connecting, Re-Connecting and Dis-Connecting
Mariko Hara
Afterword: Taste and Distinction After Bourdieu
Nick Prior