In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.
In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.
Claudia R. Jensen has published articles on Russian music in The Musical Quarterly and Journal of the American Musicological Society. She is editor (with Milo Velimirovi¿) of Nikolai Findeizen's History of Music in Russia from Antiquity to 1800 (IUP, 2007).
Inhaltsangabe
Acknowledgments List of Abbreviations Introduction: The New Patriarch 1. The True False Dmitrii and the Death of Music in Moscow 2. "Wondrous singers and exceptional voices": Singers and Singing in Muscovy 3. "Sweet and harmonious singing": Domestic Singers and Domestic Singing 4. Tavern and Wedding: The Instrumental Traditions at the Muscovite Court 5. Nikolai Diletskii: Language and Imagery in Muscovite Music Theory 6. The Muscovite Court Theater Epilogue: Reversing Our Gaze: A Case Study Appendix Notes Bibliography Index
Acknowledgments List of Abbreviations Introduction: The New Patriarch 1. The True False Dmitrii and the Death of Music in Moscow 2. "Wondrous singers and exceptional voices": Singers and Singing in Muscovy 3. "Sweet and harmonious singing": Domestic Singers and Domestic Singing 4. Tavern and Wedding: The Instrumental Traditions at the Muscovite Court 5. Nikolai Diletskii: Language and Imagery in Muscovite Music Theory 6. The Muscovite Court Theater Epilogue: Reversing Our Gaze: A Case Study Appendix Notes Bibliography Index
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