Música norteña, a musical genre with its roots in the folk ballad traditions of Northern Mexico and the Texas-Mexican border region, has become a hugely popular musical style in the U.S., particularly among Mexican immigrants. Featuring evocative songs ab
Música norteña, a musical genre with its roots in the folk ballad traditions of Northern Mexico and the Texas-Mexican border region, has become a hugely popular musical style in the U.S., particularly among Mexican immigrants. Featuring evocative songs ab
Cathy Ragland is an Assistant Professor in Music and the Arts at SUNY/Empire State College. She is a former music critic for the San Antonio Express-News, Seattle Times and Austin American-Statesman, where, among many things, she wrote about Tex-Mex and Norteña music. She is also a former folklorist and co-founder of the Mariachi Academy of New York, an after-school program in East Harlem.
Inhaltsangabe
Preface Acknowledgments Introduction 1. Mexicanidad and Música Norteña in the “Two Mexicos” 2. Regional Identity, Class, and the Emergence of “Border Music” 3. Border Culture, Migration, and the Development of Early Música Norteña 4. Modern Música Norteña and the Undocumented Immigrant 5. Los Tigres del Norte and the Transnationalization of Música Norteña in the Working-Class Mexican Diaspora Conclusion Glossary References Selected Discography Interviews Index
Preface Acknowledgments Introduction 1. Mexicanidad and Música Norteña in the “Two Mexicos” 2. Regional Identity, Class, and the Emergence of “Border Music” 3. Border Culture, Migration, and the Development of Early Música Norteña 4. Modern Música Norteña and the Undocumented Immigrant 5. Los Tigres del Norte and the Transnationalization of Música Norteña in the Working-Class Mexican Diaspora Conclusion Glossary References Selected Discography Interviews Index
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