"Music with Stanley Cavell in Mind provides a first-of-its-kind intervention by leading philosophers and scholars of music into an intellectual landscape in need of such charting. As a performer and a devoted student of music, the arc of Cavell's wide-ranging investigation maps consistently with a proximate concern with features of human experience that involve music and sound, including the sound of prose, authorial voice (including its possession and its divestment), the presence/problem/potentiality of silence in human communication, and related features of sonic experience central to life lived at the scale of the everyday"--…mehr
"Music with Stanley Cavell in Mind provides a first-of-its-kind intervention by leading philosophers and scholars of music into an intellectual landscape in need of such charting. As a performer and a devoted student of music, the arc of Cavell's wide-ranging investigation maps consistently with a proximate concern with features of human experience that involve music and sound, including the sound of prose, authorial voice (including its possession and its divestment), the presence/problem/potentiality of silence in human communication, and related features of sonic experience central to life lived at the scale of the everyday"--
David LaRocca, Ph.D., is the author or contributing editor of seventeen books, including several from Bloomsbury. He edited Stanley Cavell's Emerson's Transcendental Etudes (2003) and Metacinema (2021). Earlier edited volumes are devoted to the philosophy of documentary film, war films, and the cinema of Charlie Kaufman. He has taught philosophy, rhetoric, and cinema and held visiting research or teaching positions in the United States at Binghamton University, Cornell University, Harvard University, Ithaca College, the New York Public Library, the School of Visual Arts, the State University of New York at Cortland, and Vanderbilt University. He served as Harvard University's Sinclair Kennedy Fellow in the United Kingdom and, like Cavell before him, was honored with the Distinguished Achievement Award from the Ralph Waldo Emerson Society. www.DavidLaRocca.org
Inhaltsangabe
Overture: In Walked Stanley Charles Bernstein University of Pennsylvania USA Prelude: Sounds of Philosophy David LaRocca Cornell University USA Movement I / Measures 1. Critical Listening: An Understanding of Cavell's "An Understanding with Music" Jean-Philippe Antoine Université Paris 8 Vincennes-Saint Denis France 2 Impressions of Meaning in Cavell's Life Out of Music William Day Le Moyne College USA 3. Cavell on Music: As Performer as Writer John Harbison Massachusetts Institute of Technology USA Movement II / Registers 4. "A Voice Deep Inside": Cavell Streisand and the Reach of Song's Inner Speech Garrett Stewart University of Iowa USA 5. Cavell as Halted Traveler: The Experience of Music Richard Eldridge Swarthmore College USA 6. The Sound of Reality Jocelyn Benoist Université of Paris 1 Panthéon-Sorbonne France Movement III / Recitatives 7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind Paul Standish University College London Institute of Education UK 8. Understanding Music Understanding Persons: Cavell and the Necessity of Intentional Content Garry L. Hagberg Bard College USA 9. Punk Discomposed: Staging Sincerity and Fraudulence David LaRocca C ornell University USA Movement IV / Intervals 10. Listening In: Cavell Krenek Cage Reich at the Limits of Musical Meaning Kevin C. Karnes Emory University USA and John T. Lysaker Emory University USA 11. Cavell's Odd Couple: Schoenberg and Wittgenstein Eran Guter Max Stern Jezreel Valley College Israel 12. Words Sing: Wittgenstein Cage and Cavell on the Poetics of Language and Music Gordon C. F. Bearn Lehigh University USA Coda: Out Waltzed Stanley Charles Bernstein University of Pennsylvania USA Acknowledgments Contributors Index
Overture: In Walked Stanley Charles Bernstein University of Pennsylvania USA Prelude: Sounds of Philosophy David LaRocca Cornell University USA Movement I / Measures 1. Critical Listening: An Understanding of Cavell's "An Understanding with Music" Jean-Philippe Antoine Université Paris 8 Vincennes-Saint Denis France 2 Impressions of Meaning in Cavell's Life Out of Music William Day Le Moyne College USA 3. Cavell on Music: As Performer as Writer John Harbison Massachusetts Institute of Technology USA Movement II / Registers 4. "A Voice Deep Inside": Cavell Streisand and the Reach of Song's Inner Speech Garrett Stewart University of Iowa USA 5. Cavell as Halted Traveler: The Experience of Music Richard Eldridge Swarthmore College USA 6. The Sound of Reality Jocelyn Benoist Université of Paris 1 Panthéon-Sorbonne France Movement III / Recitatives 7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind Paul Standish University College London Institute of Education UK 8. Understanding Music Understanding Persons: Cavell and the Necessity of Intentional Content Garry L. Hagberg Bard College USA 9. Punk Discomposed: Staging Sincerity and Fraudulence David LaRocca C ornell University USA Movement IV / Intervals 10. Listening In: Cavell Krenek Cage Reich at the Limits of Musical Meaning Kevin C. Karnes Emory University USA and John T. Lysaker Emory University USA 11. Cavell's Odd Couple: Schoenberg and Wittgenstein Eran Guter Max Stern Jezreel Valley College Israel 12. Words Sing: Wittgenstein Cage and Cavell on the Poetics of Language and Music Gordon C. F. Bearn Lehigh University USA Coda: Out Waltzed Stanley Charles Bernstein University of Pennsylvania USA Acknowledgments Contributors Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
