Friedemann Sallis is a professor in the Department of Music at the University of Calgary. His publications include A Handbook to Twentieth-Century Musical Sketches (co-edited with Patricia Hall, 2004), Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág and Sándor Veress (co-edited with Robin Elliott and Kenneth DeLong, 2011), and numerous articles on twentieth-century music. He has acquired broad experience within the field of sketch studies, particularly with twentieth-century composers and performers, including György Kurtág, György Ligeti, Luigi Nono and Glenn Gould.
Inhaltsangabe
Preface 1. Introduction 2. Sketch studies past and present 3. Tracking down evidence of the creative process 4. The physical objects of the compositional process 5. Studying loose leaves 6. Sketchbooks 7. Transcription and facsimile reproduction 8. Sketches and the critical edition of music 9. Dangerous liaisons: the evolving relationship between sketch studies and analysis 10. Musical palimpsests Appendix: Beethoven sketchbooks published between 1913 and 2013 Glossary.
Preface 1. Introduction 2. Sketch studies past and present 3. Tracking down evidence of the creative process 4. The physical objects of the compositional process 5. Studying loose leaves 6. Sketchbooks 7. Transcription and facsimile reproduction 8. Sketches and the critical edition of music 9. Dangerous liaisons: the evolving relationship between sketch studies and analysis 10. Musical palimpsests Appendix: Beethoven sketchbooks published between 1913 and 2013 Glossary.
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