With accessible language for both beginner and advanced readers, this book contains countless illustrations, includes tips and tricks for all the popular digital audio workstations and provides coverage of common plugins and processors. With hundreds of tips and techniques, this is your must-have guide.
With accessible language for both beginner and advanced readers, this book contains countless illustrations, includes tips and tricks for all the popular digital audio workstations and provides coverage of common plugins and processors. With hundreds of tips and techniques, this is your must-have guide.
Hans Weekhout is one of the best-known names in the Dutch studio scene. Besides collaborating with countless Dutch artists, he has worked with international artists like Prince, Falco, and Girls Aloud. Under the moniker of Capricorn, he scored a worldwide hit with the dance track "20 Hz." As a lecturer in the Pop department of the Conservatory of Amsterdam, he teaches his students the intricacies of music production.
Inhaltsangabe
* PREFACE * INTRODUCTION PART I RECORDING 1/ PRODUCTION: THE STUDIO AS AN INSTRUMENT 2/ IN THE STUDIO 3/ ANALOG RECORDING 4/ SPEAKERS AND ACOUSTICS 5/ MICROPHONES 6/ RECORDING TECHNIQUES 7/ RECORDING DRUMS AND PERCUSSION 8/ RECORDING OTHER INSTRUMENTS 9/ DIGITAL AUDIO WORKSTATION AND MIDI 10/ RECORDING ON THE COMPUTER 11/ THE RECORDING SESSION PART II MIXING 12/ EFFECTS EQUALIZERS 13/ EFFECTS ECHO/DELAY 14/ EFFECTS REVERB 15/ EFFECTS COMPRESSION AND LIMITING 16/ ORGANIZING A PROJECT 17/ SETTING GOALS FOR THE MIX 18/ WORKFLOW OF THE MIX 19/ MIXING DRUMS 20/ MIXING BASS 21/ MIXING GUITAR 22/ MIXING KEYBOARDS 23/ MIXING VOCALS 24/ GETTING MORE FROM THE MIX, COMMON MISTAKES 25/ BOUNCING THE MIX PART III ADVANCED MIXING TECHNIQUES 26/ VINTAGE EQ AND COMPRESSION ADVANCED MIXING TECHNIQUES INTRODUCTION 27/ ADVANCED MIXING TECHNIQUES DRUMS 28/ ADVANCED MIXING TECHNIQUES BASS 29/ ADVANCED MIXING TECHNIQUES GUITAR 30/ ADVANCED MIXING TECHNIQUES VOCALS PART IV MASTERING 31/ MASTERING 32/ DIY MASTERING 33/ JUST ONE LOUDER PART V APPENDICIES APPENDIX 1 CHARACTERISTICS OF SOUND APPENDIX 2 OUR HEARING INDEX
* PREFACE * INTRODUCTION PART I RECORDING 1/ PRODUCTION: THE STUDIO AS AN INSTRUMENT 2/ IN THE STUDIO 3/ ANALOG RECORDING 4/ SPEAKERS AND ACOUSTICS 5/ MICROPHONES 6/ RECORDING TECHNIQUES 7/ RECORDING DRUMS AND PERCUSSION 8/ RECORDING OTHER INSTRUMENTS 9/ DIGITAL AUDIO WORKSTATION AND MIDI 10/ RECORDING ON THE COMPUTER 11/ THE RECORDING SESSION PART II MIXING 12/ EFFECTS EQUALIZERS 13/ EFFECTS ECHO/DELAY 14/ EFFECTS REVERB 15/ EFFECTS COMPRESSION AND LIMITING 16/ ORGANIZING A PROJECT 17/ SETTING GOALS FOR THE MIX 18/ WORKFLOW OF THE MIX 19/ MIXING DRUMS 20/ MIXING BASS 21/ MIXING GUITAR 22/ MIXING KEYBOARDS 23/ MIXING VOCALS 24/ GETTING MORE FROM THE MIX, COMMON MISTAKES 25/ BOUNCING THE MIX PART III ADVANCED MIXING TECHNIQUES 26/ VINTAGE EQ AND COMPRESSION ADVANCED MIXING TECHNIQUES INTRODUCTION 27/ ADVANCED MIXING TECHNIQUES DRUMS 28/ ADVANCED MIXING TECHNIQUES BASS 29/ ADVANCED MIXING TECHNIQUES GUITAR 30/ ADVANCED MIXING TECHNIQUES VOCALS PART IV MASTERING 31/ MASTERING 32/ DIY MASTERING 33/ JUST ONE LOUDER PART V APPENDICIES APPENDIX 1 CHARACTERISTICS OF SOUND APPENDIX 2 OUR HEARING INDEX
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