Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.
Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.
Music, Indigeneity, Digital Media: An Introduction Taiwan's Aboriginal Music on the Internet Recording Technology, Traditioning, and Urban American Indian Powwow Performance YouTubing the "Other": Lima's Upper Classes and Andean Imaginaries An Interview with Russell Wallace Mixing It Up: A Comparative Approach to Sámi Audio Production Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia) The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media Selected Bibliography List of Contributors Index
Music, Indigeneity, Digital Media: An Introduction Taiwan's Aboriginal Music on the Internet Recording Technology, Traditioning, and Urban American Indian Powwow Performance YouTubing the "Other": Lima's Upper Classes and Andean Imaginaries An Interview with Russell Wallace Mixing It Up: A Comparative Approach to Sámi Audio Production Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia) The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media Selected Bibliography List of Contributors Index
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