Examining pioneering and long-forgotten scholarly contributions by Eduard Hanslick, Guido Adler, and Heinrich Schenker, this book argues that music study, at the time of its academic institutionalization in the late 19th century, was a deeply conflicted endeavor.
Examining pioneering and long-forgotten scholarly contributions by Eduard Hanslick, Guido Adler, and Heinrich Schenker, this book argues that music study, at the time of its academic institutionalization in the late 19th century, was a deeply conflicted endeavor.
Kevin C. Karnes is Assistant Professor of Music History at Emory University. He is co-editor of the revised and expanded edition of Brahms and His World (2009) and author of articles on a variety of nineteenth-century topics published in 19th-Century Music, the Journal of the Royal Musical Association, and other periodicals.
Inhaltsangabe
Introduction Part I: Eduard Hanslick and the Challenge of Musikwissenschaft Chapter 1. Forgotten Histories and Uncertain Legacies Chapter 2. Music Criticism as Living History Part II: Heinrich Schenker and the Challenge of Criticism Chapter 3. Music Analysis as Critical Method Chapter 4. Composer, Critic, and the Problem of Creativity Part III: Guido Adler and the Problem of Science Chapter 5. A Science of Music for an Ambivalent Age Chapter 6. German Music in an Age of Positivism Epilogue. Into the Twentieth Century Notes Bibliography Index
Introduction Part I: Eduard Hanslick and the Challenge of Musikwissenschaft Chapter 1. Forgotten Histories and Uncertain Legacies Chapter 2. Music Criticism as Living History Part II: Heinrich Schenker and the Challenge of Criticism Chapter 3. Music Analysis as Critical Method Chapter 4. Composer, Critic, and the Problem of Creativity Part III: Guido Adler and the Problem of Science Chapter 5. A Science of Music for an Ambivalent Age Chapter 6. German Music in an Age of Positivism Epilogue. Into the Twentieth Century Notes Bibliography Index
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