Benjamin Nagari

Music as Image

Analytical psychology and music in film

• Gebundenes Buch

Produktbeschreibung

Chapters present a Jungian approach to music in film, highlighting how 'music-image' functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the 'film as a whole' experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised 'case histories'.

Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 158
• Erscheinungstermin: 24. Juli 2015
• Englisch
• Abmessung: 236mm x 157mm x 15mm
• Gewicht: 431g
• ISBN-13: 9781138853256
• ISBN-10: 1138853259
• Artikelnr.: 42575879

Autorenporträt

Benjamin Nagari gained a PhD in Jungian and Post-Jungian Studies from the University of Westminster, UK. He is also a prolific musician and composer; having started in Pop and Rock music he went on to composing for stage, radio and television, followed by film scores and concert music (symphonic, chamber, vocal and choral).

Inhaltsangabe

Part 1: The Psychological Image: Imaging and imagination - a Jungian
perspective Jung, Image, Archetype and Complex. Jung, Opposites and Psychic
Energy. Jung's Psychological Types. Jung, Sign and Symbol. Image, Imagery,
Imagination: A perspective of placement. The Autonomous Ways of Images:
Dreams and synaesthesia. Conclusion: The non-visual image Part 2: Music as
Image: The encounter of visual and non visual in film Music as Image: An
emotive introduction. Music as Image: Its placement in film. Music as
Image: Its realities and functions. Psychological Dimensions of the
Film-Music Functions. Film Music: Type, style, original and non-original
music. Film, Music, Archetype. When Image Turns Hero. Conclusion: The
music-image - inside and outside film. Part 3: Close Encounters of the
Musical Kind: An analysis of the music-image in three films Taxi Driver.
Nuit et Brouillard (Night and Fog). Eyes Wide Shut. Finale (Conclusion).