Not long ago, ideas of creativity in music revolved around composers in garrets and the idea of genius. In the last decade there has been a sea change in thinking: musical creativity is seen in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesise both perspectives.
Not long ago, ideas of creativity in music revolved around composers in garrets and the idea of genius. In the last decade there has been a sea change in thinking: musical creativity is seen in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesise both perspectives.
Nicholas Cook is Emeritus Professor of Music at the University of Cambridge and a Fellow of the British Academy. His book Music: A Very Short Introduction (1998) has been translated into seventeen languages, and his The Schenker Project (2007) won the Society for Music Theory's Wallace Berry Award. His most recent monograph is Beyond the Score: Music as Performance (2013).
Inhaltsangabe
Table of Contents List of figures Acknowledgements Introduction: creativity in context 1 Making music together 1 Listening together 2 From the inside out 3 You do an up-bow, I do a down-bow 4 Beyond real time 5 Production as relational practice 6 Assemblages in action 7 Creativity on the other side 2 Imagining music 1 Cultures of imagination 2 Composition by stages 3 Improvisations on paper 4 Seeing through the myths 5 Sonic ontology 6 The extended musical mind 7 Talking back 3 Creative in a different sort of way 1 The ghost in the machine 2 Significant others 3 The composer's alter ego 4 Traditions of creative learning 5 Pathways to creative performance 6 Owning creativity 7 A culture of creative repetition Conclusion: creativity everywhere References Index
Table of Contents List of figures Acknowledgements Introduction: creativity in context 1 Making music together 1 Listening together 2 From the inside out 3 You do an up-bow, I do a down-bow 4 Beyond real time 5 Production as relational practice 6 Assemblages in action 7 Creativity on the other side 2 Imagining music 1 Cultures of imagination 2 Composition by stages 3 Improvisations on paper 4 Seeing through the myths 5 Sonic ontology 6 The extended musical mind 7 Talking back 3 Creative in a different sort of way 1 The ghost in the machine 2 Significant others 3 The composer's alter ego 4 Traditions of creative learning 5 Pathways to creative performance 6 Owning creativity 7 A culture of creative repetition Conclusion: creativity everywhere References Index
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