Giuseppe Gerbino is Associate Professor in the Department of Music, Columbia University, New York.
Inhaltsangabe
Introduction: music in Arcadia: an unsettled tradition 1. The idiosyncrasies of chronology 2. The return of the shepherd 3. Musical remedies 4. On the cusp between language and music 5. Musical eclipses: theatre 6. The boundaries of the genre 7. Singing like shepherds, singing like peasants 8. Ruzante's song and the rustic picturesque 9. Re-founding pastoral theatre 10. The (female) performance of high culture: the madrigal 11. A pastoral society 12. The dark side of Arcadia 13. Marenzio's utopia of the senses 14. Lost in Arcadia Epilogue: pastoral, opera and the impossibility of tragedy.
Introduction: music in Arcadia: an unsettled tradition 1. The idiosyncrasies of chronology 2. The return of the shepherd 3. Musical remedies 4. On the cusp between language and music 5. Musical eclipses: theatre 6. The boundaries of the genre 7. Singing like shepherds, singing like peasants 8. Ruzante's song and the rustic picturesque 9. Re-founding pastoral theatre 10. The (female) performance of high culture: the madrigal 11. A pastoral society 12. The dark side of Arcadia 13. Marenzio's utopia of the senses 14. Lost in Arcadia Epilogue: pastoral, opera and the impossibility of tragedy.
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