It has often been claimed that music derives some or all of its artistic value from the relation in which it stands to the emotions. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions.
It has often been claimed that music derives some or all of its artistic value from the relation in which it stands to the emotions. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions.
Preface I The emotions II The repudiation of emotion III Motion and emotion in music IV Sexual emotion in Ideal Motion V The world as embodied music VI Music as unconsummated symbol VII Music as the expression of emotion VIII Meaning emotion and information in music Summary conclusion Notes Index
Preface I The emotions II The repudiation of emotion III Motion and emotion in music IV Sexual emotion in Ideal Motion V The world as embodied music VI Music as unconsummated symbol VII Music as the expression of emotion VIII Meaning emotion and information in music Summary conclusion Notes Index
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