How can broadcasting help us understanding music and its cultural role, both historically and today? To answer this question, Music and the Broadcast Experience brings together fourteen leading music and media scholars, who explore how music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries.
How can broadcasting help us understanding music and its cultural role, both historically and today? To answer this question, Music and the Broadcast Experience brings together fourteen leading music and media scholars, who explore how music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries.
CB: Associate Professor, Communication Studies and Music, McMaster University. Author of Victory Through Harmony: The BBC and Popular Music in World War II (OUP 2011).JD: Associate Professor and Supervisor of Graduate Studies, School for Studies in Art and Culture: Music, Carleton University. Editor or co-editor oif books about Wagner (Pendragon), Liszt (Pendragon), and Peter Cornelius (Schott), and guest editor of special issues of the 19th Century Music Review and Canadian University Music Review. Advisory Board member for the Grove Dictionary of American Music.ST: Composer, arranger, theatre director, musical director, and academic, specializing in Canadian musical theatre. Orchestrator and composer for film and TV; resident musical director of The Thousand Islands Playhouse. He has taught music history, theory, ear training, performance and composition at McMaster University in Hamilton, Ontario, where he organized the Over the Waves international conference on music in/and broadcastin
Inhaltsangabe
* Contents * Acknowledgements * Contributors * About the Companion Website * Introduction * 1 Section I: Bringing the Classics Home: Broadcasting Symphonic Concerts and Opera in Early Radio * Chapter 1: Broadcasting-Concerts: Confronting the Obvious - Jenny Doctor * Chapter 2: The Role of Opera in the Rise of Radio in the U.S. - Timothy Taylor * 1 Section II: Spectacular Sound: Production Cultures in Broadcast Television * Chapter 3: Spectacular Sound: Classical Music Programming and the Problem of "Visual Interest" in Early U.S. Television - Shawn VanCour * Chapter 4: The Machine Hums: Music, Special Sound, and the Spaces In-Between - Louis Niebur * Chapter 5: Musical Theater Meets Reality TV: An Investigation into the Canadian Context - Christine Quail * 1 Section III: Raising Dough on Radio: Musical Genre and Advertising in the Swing Era * Chapter 6: "From Operatic Pomp to a Benny Goodman Stomp!" Frame Analysis and the National Biscuit Company's Let's Dance - Rika Asai * Chapter 7: Passing Pappy's Biscuits: Dynamics of Uneven Modernization in Regional Radio Voices - Alexander Russo * 1 Section IV: The Power of the Small Screen: Musical Celebrity in Television * Chapter 8: Toscanini, Ormandy, and the First Televised Orchestra Concert(s): The Networks and the Broadcasting of Musical Celebrity - James Deaville * Chapter 9: John, Yoko, and Mike Douglas: Performing Avant Garde Art and Radical Politics on American Television in the 1970s - Norma Coates * 1 Section V: Music Radio On and Off the Air: Publics, Structures, and Formats * Chapter 10: Radio Formats in the United States: A (Hyper)Fragment(ation) of the Imagination - Ron Rodman * Chapter 11: Music Radio Goes Online - Tim Wall * 1 Section VI: Worlds Apart: Space, Community, and Participation in the Web 2.0 Era * Chapter 12: New Media, New Festival Worlds: Rethinking Cultural Events and Televisuality through YouTube and the Tomorrowland Music Festival - Fabian Holt * Chapter 13: Worship on the Web: Broadcasting Devotion through Worship Music Videos on YouTube - Monique Ingalls * Chapter 14: Incarcerated Music: Broadcasting and the Tactics of Music Listening in Prison - Christina Baade * For Further Reading * Index
* Contents * Acknowledgements * Contributors * About the Companion Website * Introduction * 1 Section I: Bringing the Classics Home: Broadcasting Symphonic Concerts and Opera in Early Radio * Chapter 1: Broadcasting-Concerts: Confronting the Obvious - Jenny Doctor * Chapter 2: The Role of Opera in the Rise of Radio in the U.S. - Timothy Taylor * 1 Section II: Spectacular Sound: Production Cultures in Broadcast Television * Chapter 3: Spectacular Sound: Classical Music Programming and the Problem of "Visual Interest" in Early U.S. Television - Shawn VanCour * Chapter 4: The Machine Hums: Music, Special Sound, and the Spaces In-Between - Louis Niebur * Chapter 5: Musical Theater Meets Reality TV: An Investigation into the Canadian Context - Christine Quail * 1 Section III: Raising Dough on Radio: Musical Genre and Advertising in the Swing Era * Chapter 6: "From Operatic Pomp to a Benny Goodman Stomp!" Frame Analysis and the National Biscuit Company's Let's Dance - Rika Asai * Chapter 7: Passing Pappy's Biscuits: Dynamics of Uneven Modernization in Regional Radio Voices - Alexander Russo * 1 Section IV: The Power of the Small Screen: Musical Celebrity in Television * Chapter 8: Toscanini, Ormandy, and the First Televised Orchestra Concert(s): The Networks and the Broadcasting of Musical Celebrity - James Deaville * Chapter 9: John, Yoko, and Mike Douglas: Performing Avant Garde Art and Radical Politics on American Television in the 1970s - Norma Coates * 1 Section V: Music Radio On and Off the Air: Publics, Structures, and Formats * Chapter 10: Radio Formats in the United States: A (Hyper)Fragment(ation) of the Imagination - Ron Rodman * Chapter 11: Music Radio Goes Online - Tim Wall * 1 Section VI: Worlds Apart: Space, Community, and Participation in the Web 2.0 Era * Chapter 12: New Media, New Festival Worlds: Rethinking Cultural Events and Televisuality through YouTube and the Tomorrowland Music Festival - Fabian Holt * Chapter 13: Worship on the Web: Broadcasting Devotion through Worship Music Videos on YouTube - Monique Ingalls * Chapter 14: Incarcerated Music: Broadcasting and the Tactics of Music Listening in Prison - Christina Baade * For Further Reading * Index
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