This book introduces readers to the most significant technological developments in music making and listening, including such topics as metronomes and the development of music notation as well as synthesizers, the latest music collaboration apps, and other 21st-century technologies. Rather than focusing on technical and mechanical details, Music and Technology: A Historical Encyclopedia features the sociological role of technological developments by highlighting the roles they have played in society throughout time. Students and music fans alike will gain valuable insight from this…mehr
This book introduces readers to the most significant technological developments in music making and listening, including such topics as metronomes and the development of music notation as well as synthesizers, the latest music collaboration apps, and other 21st-century technologies. Rather than focusing on technical and mechanical details, Music and Technology: A Historical Encyclopedia features the sociological role of technological developments by highlighting the roles they have played in society throughout time. Students and music fans alike will gain valuable insight from this alphabetized encyclopedia of the most significant examples of technological changes that have impacted the creation, production, dissemination, recording, and/or consumption of music. The book also contains a chronology of milestone events in the history of music and technology as well as sidebars that focus on several key individual musicians and inventors.
JAMES E. PERONE is Associate Professor of Music at Mount Union College. His previous bio-bibliographies include Howard Hanson (Greenwood, 1992) and Elvis Costello (Greenwood, 1998). He is also the author of a number of bibliographies including Musical Anthologies for Analytical Study (Greenwood, 1992), Orchestration Theory (Greenwood, 1996), Harmony Theory (Greenwood, 1997), and Form and Analysis Theory (Greenwood, 1998).
Inhaltsangabe
ContentsContentsContentsPreface and Acknowledgments Introduction Chronology An A-Z of Music Technology through the Years Amplification Analog Synthesizers Artificial Intelligence Auto-Tune Boomboxes Bose, Amar G. and the Bose Corporation Brass Instruments Cassette Tapes Collaboration Software Compact Discs (CDs) Computer-Composed Music Computer-Generated Music Desktop and Laptop Computers Digital Audio Tape (DAT) Digital Recording Digital Synthesizers Distortion DJ-ing Dolby Noise Reduction Drum Machines Edison Phonograph Effects Pedals 8-Track Tapes Electric Guitars Electrical Recording Electronic Keyboard Instruments Electronic Tuners Electronic Wind Instruments (EWI) 45-rpm Records GarageBand Generative Music Gramophones and Victrolas Headphones Instructional Software Internet Radio iPads and Other Tablets iPods and Other Portable Digital Music Players iTunes Jukeboxes Karaoke Leslie Speaker Loops Loudspeakers Mechanical Organs Mellotrons Metronomes Microphones MIDI Mixing Boards Moog Synthesizers Motion Picture Soundtracks MP3s MTV and Music Videos Multi-Track Recording Music Boxes Music Notation Software Music Printing with Movable Type Musical Notation Muzak Ondes Martenots Orchestral String Instruments Organs PA Systems Pandora and the Music Genome Project Patches Pedal Steel Guitars Peer-to-Peer File Sharing Percussion Instruments Player Pianos Quadraphonic and Surround Sound Radio Reel-to-Reel Tape Resonator Guitars Reverb Sampling Satellite Radio Sequencers 78-rpm Records Sheet Music Smartphones Social Media Sony Walkman and Discman Stereophonic Sound Streaming Audio Services Tablature Tape Manipulation Theater Organs Theremins Transistor Radios Video Games Vinyl Albums Virtual Accompanists Virtual Studio Software Virtual Synthesizers Vocoders and Talk Boxes Wire Recording Woodwind Instruments Yamaha Disklavier Yamaha DX7 Synthesizer YouTube Glossary Bibliography Index
ContentsContentsContentsPreface and Acknowledgments Introduction Chronology An A-Z of Music Technology through the Years Amplification Analog Synthesizers Artificial Intelligence Auto-Tune Boomboxes Bose, Amar G. and the Bose Corporation Brass Instruments Cassette Tapes Collaboration Software Compact Discs (CDs) Computer-Composed Music Computer-Generated Music Desktop and Laptop Computers Digital Audio Tape (DAT) Digital Recording Digital Synthesizers Distortion DJ-ing Dolby Noise Reduction Drum Machines Edison Phonograph Effects Pedals 8-Track Tapes Electric Guitars Electrical Recording Electronic Keyboard Instruments Electronic Tuners Electronic Wind Instruments (EWI) 45-rpm Records GarageBand Generative Music Gramophones and Victrolas Headphones Instructional Software Internet Radio iPads and Other Tablets iPods and Other Portable Digital Music Players iTunes Jukeboxes Karaoke Leslie Speaker Loops Loudspeakers Mechanical Organs Mellotrons Metronomes Microphones MIDI Mixing Boards Moog Synthesizers Motion Picture Soundtracks MP3s MTV and Music Videos Multi-Track Recording Music Boxes Music Notation Software Music Printing with Movable Type Musical Notation Muzak Ondes Martenots Orchestral String Instruments Organs PA Systems Pandora and the Music Genome Project Patches Pedal Steel Guitars Peer-to-Peer File Sharing Percussion Instruments Player Pianos Quadraphonic and Surround Sound Radio Reel-to-Reel Tape Resonator Guitars Reverb Sampling Satellite Radio Sequencers 78-rpm Records Sheet Music Smartphones Social Media Sony Walkman and Discman Stereophonic Sound Streaming Audio Services Tablature Tape Manipulation Theater Organs Theremins Transistor Radios Video Games Vinyl Albums Virtual Accompanists Virtual Studio Software Virtual Synthesizers Vocoders and Talk Boxes Wire Recording Woodwind Instruments Yamaha Disklavier Yamaha DX7 Synthesizer YouTube Glossary Bibliography Index
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