Shape is a concept widely used in talk about music, helping musicians in many genres to rehearse, teach and think about what they do. What makes a concept from vision so invaluable to work in sound? Music & Shape reveals the many ways in which shape is essential to music.
Shape is a concept widely used in talk about music, helping musicians in many genres to rehearse, teach and think about what they do. What makes a concept from vision so invaluable to work in sound? Music & Shape reveals the many ways in which shape is essential to music.
Daniel Leech-Wilkinson is Emeritus Professor of Music at King's College London. He studied at the Royal College of Music, King's College London and Clare College, Cambridge, becoming first a medievalist and then, since c. 2000, specializing in the implications of early recordings, especially in relation to music psychology and performance creativity. Books include The Modern Invention of Medieval Music (2002) and The Changing Sound of Music (2009). Helen M. Prior is Lecturer in Music at the University of Hull, and has taught at the University of Sheffield. Her work on music and shape began when she was a postdoctoral researcher at King's College London within the AHRC Research Centre for Musical Performance as Creative Practice. She has interests in musical performance, music and emotion, and music perception and familiarity.
Inhaltsangabe
* Contents * List of Contributors * About the Companion Website * Introduction: The malleability of shape - Daniel Leech-Wilkinson and Helen M. Prior * Section I: Shapes mapped * 1. Reflection - Evelyn Glennie * 2. Postures, trajectories and sonic shapes - Rolf Inge Godøy * 3. Reflection - Lucia D'Errico * 4. Shape, drawing and gesture: empirical studies of cross-modality - Mats Küssner * 5. Reflection - Anna Meredith * 6. Cross-modal correspondences and affect in a Schubert song - Renee Timmers and Zohar Eitan * Section II: Shapes composed * 7. Reflection - George Benjamin * 8. Shapes of affect in Bach's Sonata in G minor for Unaccompanied Violin - Michael Spitzer * 9. Reflection - Steven Isserlis * 10. Shape in music notation: exploring the cross-modal representation of sound in the visual domain using zygonic theory - Adam Ockelford * 11. Reflection - Alice Eldridge * 12. Shape in improvisation - Milton Mermikides and Eugene Feygelson * Section III: Shapes performed * 13. Reflection - Max Baillie * 14. Musical shape for performers - Helen M. Prior * 15. Reflection - Simon Desbruslais * 16. Reflection - Malcolm Bilson * 17. Shaping popular music - Alinka Greasley and Helen M. Prior * 18. Reflection - Steve Savage * Section IV: Shapes seen * 19. Reflection - Mark Applebaum * 20. Reflection - I-Uen Hwang * 21. Music and shape in synaesthesia - Jamie Ward * 22. Reflection - Timothy B. Layden * 23. Reflection - Stephen Hough * 24. Reflection - Alex Reuben * 25. The shape of music in dance - Philip Barnard and Scott deLahunta * 26. Reflection - Richard Mitchell * Section V: Shapes felt * 27. Reflection - Julia Holter * 28. Musical shape and feeling - Daniel Leech-Wilkinson * 29. Reflection - David Amram * 30. Reflection - Antony Pitts * Index
* Contents * List of Contributors * About the Companion Website * Introduction: The malleability of shape - Daniel Leech-Wilkinson and Helen M. Prior * Section I: Shapes mapped * 1. Reflection - Evelyn Glennie * 2. Postures, trajectories and sonic shapes - Rolf Inge Godøy * 3. Reflection - Lucia D'Errico * 4. Shape, drawing and gesture: empirical studies of cross-modality - Mats Küssner * 5. Reflection - Anna Meredith * 6. Cross-modal correspondences and affect in a Schubert song - Renee Timmers and Zohar Eitan * Section II: Shapes composed * 7. Reflection - George Benjamin * 8. Shapes of affect in Bach's Sonata in G minor for Unaccompanied Violin - Michael Spitzer * 9. Reflection - Steven Isserlis * 10. Shape in music notation: exploring the cross-modal representation of sound in the visual domain using zygonic theory - Adam Ockelford * 11. Reflection - Alice Eldridge * 12. Shape in improvisation - Milton Mermikides and Eugene Feygelson * Section III: Shapes performed * 13. Reflection - Max Baillie * 14. Musical shape for performers - Helen M. Prior * 15. Reflection - Simon Desbruslais * 16. Reflection - Malcolm Bilson * 17. Shaping popular music - Alinka Greasley and Helen M. Prior * 18. Reflection - Steve Savage * Section IV: Shapes seen * 19. Reflection - Mark Applebaum * 20. Reflection - I-Uen Hwang * 21. Music and shape in synaesthesia - Jamie Ward * 22. Reflection - Timothy B. Layden * 23. Reflection - Stephen Hough * 24. Reflection - Alex Reuben * 25. The shape of music in dance - Philip Barnard and Scott deLahunta * 26. Reflection - Richard Mitchell * Section V: Shapes felt * 27. Reflection - Julia Holter * 28. Musical shape and feeling - Daniel Leech-Wilkinson * 29. Reflection - David Amram * 30. Reflection - Antony Pitts * Index
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