First published in 1999, the essays that follow have been selected from the authorà â â s writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France.
First published in 1999, the essays that follow have been selected from the authorà â â s writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France.
Part 1. Musicians Music and Performance Practice at the Papal Court. 1. Notes on Some Papal Documents in Paris. Stdi Musicali 12. Florence 1983. 2. A Note on the Biography of Juan del Encina. Bulletin of the Comediantes 34. Los Angeles 1982. 3. New Archival Data Cocnerning the Chapel of Clement VII. Journal of the American Musicological Society 29 Philadelphia 1976. 4. From the Diary of a 16th-Century Papal Singer. Current Musicology 25. New York 1978. 5. A Letter from Paolo Animuccia: A Composer's Response to the Council of Trent. Early Music 12. Oxford 1984. 6. Notes on the Biography and Music of Bertrandus Vaqueras (ca. 1450-1507). Studien zur Musikgeschichte: Eine Festschrift Für Ludwig Finscher ed. Annegrit Laubenthal. Kassel 1995. 7. The Relationship Between a Vatican Source of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print. Atti del XIV Congresso della Società Internazionale di Musicologia ed. Angelo Pompilio et al.Bologna 1990. 8. Illibata dei Virgo Nutrix and Josquin's Roman Style. Journal of American Musicological Society 41. Philadelphia 1987. 9. The Medici Coat of Arms in a Motet for Leo X. Early Music 15. Oxford 1987. 10. Ceremonies for Holy Week Papal Commissions and Madness (?) in Early Sixteenth-Century Rome. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood ed. Jesse Ann Owens and Anthony M. Cummings Detoit Monographs in Musicology/Studies in Music 18. Warren 1997. 11. The Singers of the Papal Chapel and Liturgical Ceremonies in the Early Sixteenth Century: Some Documentary Evidence. Rome in the Renaissance the City and the Myth ed. P.A. Ramsey. Binghamton 1982. 12. Speculations on Repertory Performance Practice and Ceremony ni the Papel Chapel in the Early Sixteenth Century. Studien zur Geschichte der Päpstlichen Kapelle: Tagungsbericht Heidelberg 1989 Cappellae Apostolicae Sixtinaeque Collectanea Acta Monumenta Collectanea II ed. Bernhard Janz. Vatican City 1994. 13. Performance Practice in the Papal Chapel during the 16th Century. Early Music 15. Oxford 1987. 14. Competence and Incompetence in the Papal Choir in the Age of Palestrina. Early Music 22. Oxford 1994. Part 2. Archival Studies: Other Renaissance Courts and Cities. 15. Mecenatismo Musicale a Mantova: Le Nozze di Vicenzo Gonzaga e Margherita Farnese. Rivista Italiana di Musicologia 19. Florence 1984. 16. Gugliemo Gonzaga and the Castrati. Renaissance Quarterly 33. New York 1980. 17. The Publications of Gugliemo Gonzaga. Journal of the American Musicological Society 31. Philadelphia 1978. 18. Lorenzo de' Medici Duke of Urbino as a Patron of Music. Renaissance Studies in Honour of Craig Hugh Smyth ed. Piero Morselli et al. Florence 1985. 19. Verdelot in Florence Coppini in Rome and the Singer 'La Fiore'. Journal of the American Musicological Society 37. Philadelphia 1984. 20. The Membership of the Chapels of Louis XII and Anne de Bretagne in the Years Preceding their Deaths. The Journal of Musicology 6. Los Angeles 1988. 21. A Canon a Choirboy and Homosexuality in Late Sixteenth-Century Italy: A Case Study. Journal of Homosexuality 21. Binghamton 1991.
Part 1. Musicians Music and Performance Practice at the Papal Court. 1. Notes on Some Papal Documents in Paris. Stdi Musicali 12. Florence 1983. 2. A Note on the Biography of Juan del Encina. Bulletin of the Comediantes 34. Los Angeles 1982. 3. New Archival Data Cocnerning the Chapel of Clement VII. Journal of the American Musicological Society 29 Philadelphia 1976. 4. From the Diary of a 16th-Century Papal Singer. Current Musicology 25. New York 1978. 5. A Letter from Paolo Animuccia: A Composer's Response to the Council of Trent. Early Music 12. Oxford 1984. 6. Notes on the Biography and Music of Bertrandus Vaqueras (ca. 1450-1507). Studien zur Musikgeschichte: Eine Festschrift Für Ludwig Finscher ed. Annegrit Laubenthal. Kassel 1995. 7. The Relationship Between a Vatican Source of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print. Atti del XIV Congresso della Società Internazionale di Musicologia ed. Angelo Pompilio et al.Bologna 1990. 8. Illibata dei Virgo Nutrix and Josquin's Roman Style. Journal of American Musicological Society 41. Philadelphia 1987. 9. The Medici Coat of Arms in a Motet for Leo X. Early Music 15. Oxford 1987. 10. Ceremonies for Holy Week Papal Commissions and Madness (?) in Early Sixteenth-Century Rome. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood ed. Jesse Ann Owens and Anthony M. Cummings Detoit Monographs in Musicology/Studies in Music 18. Warren 1997. 11. The Singers of the Papal Chapel and Liturgical Ceremonies in the Early Sixteenth Century: Some Documentary Evidence. Rome in the Renaissance the City and the Myth ed. P.A. Ramsey. Binghamton 1982. 12. Speculations on Repertory Performance Practice and Ceremony ni the Papel Chapel in the Early Sixteenth Century. Studien zur Geschichte der Päpstlichen Kapelle: Tagungsbericht Heidelberg 1989 Cappellae Apostolicae Sixtinaeque Collectanea Acta Monumenta Collectanea II ed. Bernhard Janz. Vatican City 1994. 13. Performance Practice in the Papal Chapel during the 16th Century. Early Music 15. Oxford 1987. 14. Competence and Incompetence in the Papal Choir in the Age of Palestrina. Early Music 22. Oxford 1994. Part 2. Archival Studies: Other Renaissance Courts and Cities. 15. Mecenatismo Musicale a Mantova: Le Nozze di Vicenzo Gonzaga e Margherita Farnese. Rivista Italiana di Musicologia 19. Florence 1984. 16. Gugliemo Gonzaga and the Castrati. Renaissance Quarterly 33. New York 1980. 17. The Publications of Gugliemo Gonzaga. Journal of the American Musicological Society 31. Philadelphia 1978. 18. Lorenzo de' Medici Duke of Urbino as a Patron of Music. Renaissance Studies in Honour of Craig Hugh Smyth ed. Piero Morselli et al. Florence 1985. 19. Verdelot in Florence Coppini in Rome and the Singer 'La Fiore'. Journal of the American Musicological Society 37. Philadelphia 1984. 20. The Membership of the Chapels of Louis XII and Anne de Bretagne in the Years Preceding their Deaths. The Journal of Musicology 6. Los Angeles 1988. 21. A Canon a Choirboy and Homosexuality in Late Sixteenth-Century Italy: A Case Study. Journal of Homosexuality 21. Binghamton 1991.
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