Using the metaphor of artful conversation, this study examines chamber music in Mozart's period as a sociable activity undertaken among friends. Edward Klorman draws on a wide variety of documentary and iconographic sources to analyze selected musical extracts in terms of social interplay.
Using the metaphor of artful conversation, this study examines chamber music in Mozart's period as a sociable activity undertaken among friends. Edward Klorman draws on a wide variety of documentary and iconographic sources to analyze selected musical extracts in terms of social interplay.
Edward Klorman is Assistant Professor of Music Theory and Viola at Queens College and The Graduate Center, City University of New York (CUNY). He also teaches graduate analysis seminars and chamber music performance at The Juilliard School, where he was founding chair of the Music Theory and Analysis department. Committed to intersections between musical scholarship and performance, he currently serves as co-chair of the Performance and Analysis Interest Group of the Society for Music Theory. He has performed as guest artist with the Borromeo, Orion, and Ying Quartets and the Lysander Trio, and he is featured on two albums of chamber music from Albany Records. He has published and presented widely on topics in the performance of eighteenth-century chamber music.
Inhaltsangabe
Foreword Patrick McCreless Preface Part I. Historical Perspectives: 1. The music of friends 2. Chamber music and the metaphor of conversation 3. Private, public, and playing in the present tense Part II. Analytical Perspectives: 4. Analyzing from within the music: toward a theory of multiple agency 5. Multiple agency and sonata form 6. Multiple agency and meter 7. An afternoon at skittles: analysis of the 'Kegelstatt' Trio, K. 498 Epilogue.
Foreword Patrick McCreless Preface Part I. Historical Perspectives: 1. The music of friends 2. Chamber music and the metaphor of conversation 3. Private, public, and playing in the present tense Part II. Analytical Perspectives: 4. Analyzing from within the music: toward a theory of multiple agency 5. Multiple agency and sonata form 6. Multiple agency and meter 7. An afternoon at skittles: analysis of the 'Kegelstatt' Trio, K. 498 Epilogue.
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