Moving Together: Pluralism and Dance in Canada uses dance to rethink the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada.
Moving Together: Pluralism and Dance in Canada uses dance to rethink the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada.
Allana C. Lindgren is an Associate Professor in the Department of Theatre at the University of Victoria. Recent co-edited publications include The Modernist World and Renegade Bodies: Canadian Dance in the 1970s. She is also the Dance Subject Editor for the Routledge Encyclopedia of Modernism. Batia Boe Stolar is an Associate Professor in English Department and Associate Vice-President, Research and Graduate Studies at Lakehead University. She has contributed chapters to Coming Here, Being Here: A Canadian Migration Anthology and (with Clara Sacchetti) Renegade Bodies: Canadian Dance in the 1970s. Clara Sacchetti holds a Ph.D in anthropology. Her research explores gender, the arts, and Italian-Canadian identity. She is published in peer-reviewed journals and edited collections, and is a co-editor of three books. Currently, she runs a not-for-profit organization that delivers free arts programming to underserved kids.
Inhaltsangabe
Table of Contents Moving Together: Dance and Pluralism in Canada Acknowledgements Introduction / Allana C. Lindgren and Batia Boe Stolar Section One: Setting the Stage 1. Dancing Pluralism in Canada: A Brief Historical Overview / Allana C. Lindgren Section Two: The Discourses of Pluralism 2. Embodying the Canadian Mosaic: The Great West Canadian Folk Dance, Folk Song, and Handicraft Festival, 1930 / Anne Flynn 3. Olé, eh?: Canadian Multicultural Discourses and Atlantic Canadian Flamenco / Batia Boe Stolar 4. Illuminating a Disparate Diaspora: Fijian Dance in Canada / Evadne Kelly 5. Ukrainian Theatrical Dance on the Island: Speaking Back to National and Provincial Images of Multicultural Cape Breton / Marcia Ostashewski 6. Zab Maboungou: Trance and Locating the Other / Bridget E. Cauthery Section Three: Identity Formation and Artistic Agency 7. A Contemporary Global Artist's Perspective / Hari Krishnan 8. Re-imagining the Multicultural Citizen: 'Folk' as Strategy in the Japanese Canadians' 1977 Centennial National Odori Concert / Lisa Doolittle 9. Dance as a Curatorial Practice: Performing Moving Dragon's Koong at the Royal Ontario Museum / Allana C. Lindgren 10. Kinetic Crossroads: Chouinard, Sinha and Castello / Dena Davida Section Four: Education and the Processes of Normalization 11. From Inclusion to Integration: Intercultural Dialogue and Contemporary University Dance Education / Danielle Robinson and Eloisa Domenici 12. A Dance Flash Mob, Canadian Multiculturalism, and Kinesthetic Groupness / Janelle Joseph 13. Contemporary Indigenous Dance in Canada / Carolyne Clare and Samantha Mehra in conversation with Santee Smith 14. "There Is the Me That Loves to Dance": Dancing Cultural Identities in Theatre for Young Audiences / Heather Fitzsimmons Frey Section Five: Building Coalitions / Belonging to Communities 15. The Presence and Future of Danish Folk Dancing in Canada / Suzanne Jaeger 16. Glimpses of a Cultural Entrepreneur / Yasmina Ramzy in conversation with P. Megan Andrews 17. Dance and the Fulfillment of Multicultural Desire: The Reflections of an Accidental Ukrainian / Steven Jobbitt 18. Old Roads, New World: Exploring Collaboration through Kathak and Flamenco / Catalina Fellay Contributors Index
Table of Contents Moving Together: Dance and Pluralism in Canada Acknowledgements Introduction / Allana C. Lindgren and Batia Boe Stolar Section One: Setting the Stage 1. Dancing Pluralism in Canada: A Brief Historical Overview / Allana C. Lindgren Section Two: The Discourses of Pluralism 2. Embodying the Canadian Mosaic: The Great West Canadian Folk Dance, Folk Song, and Handicraft Festival, 1930 / Anne Flynn 3. Olé, eh?: Canadian Multicultural Discourses and Atlantic Canadian Flamenco / Batia Boe Stolar 4. Illuminating a Disparate Diaspora: Fijian Dance in Canada / Evadne Kelly 5. Ukrainian Theatrical Dance on the Island: Speaking Back to National and Provincial Images of Multicultural Cape Breton / Marcia Ostashewski 6. Zab Maboungou: Trance and Locating the Other / Bridget E. Cauthery Section Three: Identity Formation and Artistic Agency 7. A Contemporary Global Artist's Perspective / Hari Krishnan 8. Re-imagining the Multicultural Citizen: 'Folk' as Strategy in the Japanese Canadians' 1977 Centennial National Odori Concert / Lisa Doolittle 9. Dance as a Curatorial Practice: Performing Moving Dragon's Koong at the Royal Ontario Museum / Allana C. Lindgren 10. Kinetic Crossroads: Chouinard, Sinha and Castello / Dena Davida Section Four: Education and the Processes of Normalization 11. From Inclusion to Integration: Intercultural Dialogue and Contemporary University Dance Education / Danielle Robinson and Eloisa Domenici 12. A Dance Flash Mob, Canadian Multiculturalism, and Kinesthetic Groupness / Janelle Joseph 13. Contemporary Indigenous Dance in Canada / Carolyne Clare and Samantha Mehra in conversation with Santee Smith 14. "There Is the Me That Loves to Dance": Dancing Cultural Identities in Theatre for Young Audiences / Heather Fitzsimmons Frey Section Five: Building Coalitions / Belonging to Communities 15. The Presence and Future of Danish Folk Dancing in Canada / Suzanne Jaeger 16. Glimpses of a Cultural Entrepreneur / Yasmina Ramzy in conversation with P. Megan Andrews 17. Dance and the Fulfillment of Multicultural Desire: The Reflections of an Accidental Ukrainian / Steven Jobbitt 18. Old Roads, New World: Exploring Collaboration through Kathak and Flamenco / Catalina Fellay Contributors Index
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