Julian Stringer
Movie Blockbusters
Julian Stringer
Movie Blockbusters
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 288
- Erscheinungstermin: 27. März 2003
- Englisch
- Abmessung: 226mm x 164mm x 19mm
- Gewicht: 490g
- ISBN-13: 9780415256094
- ISBN-10: 0415256097
- Artikelnr.: 21981228
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 288
- Erscheinungstermin: 27. März 2003
- Englisch
- Abmessung: 226mm x 164mm x 19mm
- Gewicht: 490g
- ISBN-13: 9780415256094
- ISBN-10: 0415256097
- Artikelnr.: 21981228
Julian Stringer
Introduction Julian Stringer, University of Nottingham, The New Hollywood
Thomas Schatz Part I: Industry Matters 1. Hollywood Blockbusters:
Historical Dimensions Steve Neale, Sheffield Hallam University 2. Following
the Money in Amercia's Sunniest Company Town: Some notes on the political
economy of Hollywood Blockbusters Jon Lewis 3. The Hollywood Blockbuster:
Industrial Analysis and Practice Douglas Gomery, University of Maryland 4.
The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and
Dreamworks Warren Buckland, Liverpool John Moores University Part II:
Exploring Spectacle 5. Talking About a Revolution: The Blockbuster as
Industrial Advertisement Michael Allen, Birkbeck College 6. Spectacle
Narrative and the Spectacular Hollywood Blockbuster Geoff King 7. 'Want to
Take a Rice?': Reflections on the Blockbuster Experience in Contact (1997)
Peter Kramer 8. Blockbusting Sound: The Case of The FugitiveGianluca Sergi
Part III: Establishing Cultural Status 9. Circulations of Taste: Titanic,
The Oscars and the Middle Brow Gillian Roberts 10. Sex, Controversy,
Box-office: from Blockbuster to Bonkbuster Rebecca Feasey University of
Nottingham 11. Star wars in Fandom, Film Theory and the Museum: the
Cultural Status of the Cult Blockbuster Matt Hills, Cardiff University 12.
^The Best Place to See a Film: the Blockbuster, the Multiplex and the
Contexts of Consumption Mark Jancovich, University of Nottingham> and Lucy
Faire 13. Neither One Thing Nor the Other: Blockbusters at Film Festivals
Julian Stringer Part IV: The Blockbuster in the International Frame 14.
What's Big about the Big Film?: 'De-westernising' the Blockbuster in Korea
and China Chris Berry, University of California Berkeley 15. Once Were
Warriors: New Zealand's First Indigenous Blockbuster Kirsten Moana
Thompson, Wayne State University 16. Television for the Big Screen: How
ComodinesN Became Argentina's First Blockbuster Phenomenon amara L.
Falicov, University of Kansas 17. Locating Bollywood: Notes on the Hindi
Blockbuster 1975 to the Present Andrew Willis, University of Salford
Thomas Schatz Part I: Industry Matters 1. Hollywood Blockbusters:
Historical Dimensions Steve Neale, Sheffield Hallam University 2. Following
the Money in Amercia's Sunniest Company Town: Some notes on the political
economy of Hollywood Blockbusters Jon Lewis 3. The Hollywood Blockbuster:
Industrial Analysis and Practice Douglas Gomery, University of Maryland 4.
The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and
Dreamworks Warren Buckland, Liverpool John Moores University Part II:
Exploring Spectacle 5. Talking About a Revolution: The Blockbuster as
Industrial Advertisement Michael Allen, Birkbeck College 6. Spectacle
Narrative and the Spectacular Hollywood Blockbuster Geoff King 7. 'Want to
Take a Rice?': Reflections on the Blockbuster Experience in Contact (1997)
Peter Kramer 8. Blockbusting Sound: The Case of The FugitiveGianluca Sergi
Part III: Establishing Cultural Status 9. Circulations of Taste: Titanic,
The Oscars and the Middle Brow Gillian Roberts 10. Sex, Controversy,
Box-office: from Blockbuster to Bonkbuster Rebecca Feasey University of
Nottingham 11. Star wars in Fandom, Film Theory and the Museum: the
Cultural Status of the Cult Blockbuster Matt Hills, Cardiff University 12.
^The Best Place to See a Film: the Blockbuster, the Multiplex and the
Contexts of Consumption Mark Jancovich, University of Nottingham> and Lucy
Faire 13. Neither One Thing Nor the Other: Blockbusters at Film Festivals
Julian Stringer Part IV: The Blockbuster in the International Frame 14.
What's Big about the Big Film?: 'De-westernising' the Blockbuster in Korea
and China Chris Berry, University of California Berkeley 15. Once Were
Warriors: New Zealand's First Indigenous Blockbuster Kirsten Moana
Thompson, Wayne State University 16. Television for the Big Screen: How
ComodinesN Became Argentina's First Blockbuster Phenomenon amara L.
Falicov, University of Kansas 17. Locating Bollywood: Notes on the Hindi
Blockbuster 1975 to the Present Andrew Willis, University of Salford
Introduction Julian Stringer, University of Nottingham, The New Hollywood
Thomas Schatz Part I: Industry Matters 1. Hollywood Blockbusters:
Historical Dimensions Steve Neale, Sheffield Hallam University 2. Following
the Money in Amercia's Sunniest Company Town: Some notes on the political
economy of Hollywood Blockbusters Jon Lewis 3. The Hollywood Blockbuster:
Industrial Analysis and Practice Douglas Gomery, University of Maryland 4.
The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and
Dreamworks Warren Buckland, Liverpool John Moores University Part II:
Exploring Spectacle 5. Talking About a Revolution: The Blockbuster as
Industrial Advertisement Michael Allen, Birkbeck College 6. Spectacle
Narrative and the Spectacular Hollywood Blockbuster Geoff King 7. 'Want to
Take a Rice?': Reflections on the Blockbuster Experience in Contact (1997)
Peter Kramer 8. Blockbusting Sound: The Case of The FugitiveGianluca Sergi
Part III: Establishing Cultural Status 9. Circulations of Taste: Titanic,
The Oscars and the Middle Brow Gillian Roberts 10. Sex, Controversy,
Box-office: from Blockbuster to Bonkbuster Rebecca Feasey University of
Nottingham 11. Star wars in Fandom, Film Theory and the Museum: the
Cultural Status of the Cult Blockbuster Matt Hills, Cardiff University 12.
^The Best Place to See a Film: the Blockbuster, the Multiplex and the
Contexts of Consumption Mark Jancovich, University of Nottingham> and Lucy
Faire 13. Neither One Thing Nor the Other: Blockbusters at Film Festivals
Julian Stringer Part IV: The Blockbuster in the International Frame 14.
What's Big about the Big Film?: 'De-westernising' the Blockbuster in Korea
and China Chris Berry, University of California Berkeley 15. Once Were
Warriors: New Zealand's First Indigenous Blockbuster Kirsten Moana
Thompson, Wayne State University 16. Television for the Big Screen: How
ComodinesN Became Argentina's First Blockbuster Phenomenon amara L.
Falicov, University of Kansas 17. Locating Bollywood: Notes on the Hindi
Blockbuster 1975 to the Present Andrew Willis, University of Salford
Thomas Schatz Part I: Industry Matters 1. Hollywood Blockbusters:
Historical Dimensions Steve Neale, Sheffield Hallam University 2. Following
the Money in Amercia's Sunniest Company Town: Some notes on the political
economy of Hollywood Blockbusters Jon Lewis 3. The Hollywood Blockbuster:
Industrial Analysis and Practice Douglas Gomery, University of Maryland 4.
The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and
Dreamworks Warren Buckland, Liverpool John Moores University Part II:
Exploring Spectacle 5. Talking About a Revolution: The Blockbuster as
Industrial Advertisement Michael Allen, Birkbeck College 6. Spectacle
Narrative and the Spectacular Hollywood Blockbuster Geoff King 7. 'Want to
Take a Rice?': Reflections on the Blockbuster Experience in Contact (1997)
Peter Kramer 8. Blockbusting Sound: The Case of The FugitiveGianluca Sergi
Part III: Establishing Cultural Status 9. Circulations of Taste: Titanic,
The Oscars and the Middle Brow Gillian Roberts 10. Sex, Controversy,
Box-office: from Blockbuster to Bonkbuster Rebecca Feasey University of
Nottingham 11. Star wars in Fandom, Film Theory and the Museum: the
Cultural Status of the Cult Blockbuster Matt Hills, Cardiff University 12.
^The Best Place to See a Film: the Blockbuster, the Multiplex and the
Contexts of Consumption Mark Jancovich, University of Nottingham> and Lucy
Faire 13. Neither One Thing Nor the Other: Blockbusters at Film Festivals
Julian Stringer Part IV: The Blockbuster in the International Frame 14.
What's Big about the Big Film?: 'De-westernising' the Blockbuster in Korea
and China Chris Berry, University of California Berkeley 15. Once Were
Warriors: New Zealand's First Indigenous Blockbuster Kirsten Moana
Thompson, Wayne State University 16. Television for the Big Screen: How
ComodinesN Became Argentina's First Blockbuster Phenomenon amara L.
Falicov, University of Kansas 17. Locating Bollywood: Notes on the Hindi
Blockbuster 1975 to the Present Andrew Willis, University of Salford