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Focusing on the cultural history of modern movement training for actors, Evans traces the development of the `neutral¿ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor.

Produktbeschreibung
Focusing on the cultural history of modern movement training for actors, Evans traces the development of the `neutral¿ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor.
Autorenporträt
Mark Evans is Associate Dean of the Coventry School of Art and Design at Coventry University. He recently published Jacques Copeau (Routledge Performance Practitioners series, 2006).