From nineteenth century novels to films in the 1990s, American culture abounds with the images of white, middle-class mothers. Kaplan looks at how they appear in the psychoanalytic, historical and cultural spheres.
From nineteenth century novels to films in the 1990s, American culture abounds with the images of white, middle-class mothers. Kaplan looks at how they appear in the psychoanalytic, historical and cultural spheres.
E. Ann Kaplan is Professor of English and Comparative Studies and Director of the Humanities Institute at Stony Brook, the State University of New York. She is the author of Women and Film and Rocking Around the Clock, and editor of Psychoanalysis and Cinema.
Inhaltsangabe
Part 1 History and Theory Discourses Chapter 1 Introduction Chapter 2 The Historical Sphere Chapter 3 The Psychoanalytic Sphere and Motherhood Discourse Part 2 Motherhood and Fictional Representation Chapter 4 Women'S Writing, Melodrama and Film Chapter 5 The Maternal Melodrama: The Sacrifice Paradigm Chapter 6 The Maternal Melodrama: The "Phallic" Mother Paradigm Chapter 7 The "Resisting" Text Within the Patriarchal "Feminine" Chapter 8 The "Resisting" Maternal Woman'S Film 1930-60 Chapter 9 Sex, Work and Mother/Fatherhood
Part 1 History and Theory Discourses Chapter 1 Introduction Chapter 2 The Historical Sphere Chapter 3 The Psychoanalytic Sphere and Motherhood Discourse Part 2 Motherhood and Fictional Representation Chapter 4 Women'S Writing, Melodrama and Film Chapter 5 The Maternal Melodrama: The Sacrifice Paradigm Chapter 6 The Maternal Melodrama: The "Phallic" Mother Paradigm Chapter 7 The "Resisting" Text Within the Patriarchal "Feminine" Chapter 8 The "Resisting" Maternal Woman'S Film 1930-60 Chapter 9 Sex, Work and Mother/Fatherhood
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