Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy.
Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy.
Megan Quigley is Assistant Professor of English at Villanova University, Pennsylvania. Her work has appeared in The Cambridge Companion to European Modernism, Modernism/modernity, Philosophy and Literature, and the James Joyce Quarterly. Quigley won a Harry Ransom Center Fellowship to the University of Texas, Austin (2011-12), and in 2013, she was a Fellow at the Huntington Library in Pasadena.
Inhaltsangabe
Preface Acknowledgments Introduction: linguistic turns and literary modernism 1. 'The Re-instatement of the Vague': the James Brothers and Charles S. Peirce 2. When in December 1910?: Virginia Woolf, Bertrand Russell, and the question of vagueness 3. A dream of international precision: James Joyce, Ludwig Wittgenstein, and C. K. Ogden 4. Conclusion. To criticize the criticism: T. S. Eliot and the eradication of vagueness Notes Index.
Preface Acknowledgments Introduction: linguistic turns and literary modernism 1. 'The Re-instatement of the Vague': the James Brothers and Charles S. Peirce 2. When in December 1910?: Virginia Woolf, Bertrand Russell, and the question of vagueness 3. A dream of international precision: James Joyce, Ludwig Wittgenstein, and C. K. Ogden 4. Conclusion. To criticize the criticism: T. S. Eliot and the eradication of vagueness Notes Index.
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