Ronald Schleifer is George Lynn Cross Research Professor of English and Adjunct Professor in Medicine at the University of Oklahoma.
Inhaltsangabe
Preface Introduction: popular music and the experience of modernism Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music 2. Twentieth-century modernism and 'jazz' music Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation 4. 'What is this thing called love?': Cole Porter and the rhythms of desire 5. Signifying music: Fats Waller and the time of jazz 6. Music without composition: Billie Holiday and ensemble performance Postscript: popular music and the revolution of the word Bibliography Index.
Preface Introduction: popular music and the experience of modernism Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music 2. Twentieth-century modernism and 'jazz' music Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation 4. 'What is this thing called love?': Cole Porter and the rhythms of desire 5. Signifying music: Fats Waller and the time of jazz 6. Music without composition: Billie Holiday and ensemble performance Postscript: popular music and the revolution of the word Bibliography Index.
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