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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 262
- Erscheinungstermin: 23. März 2001
- Englisch
- Abmessung: 234mm x 157mm x 27mm
- Gewicht: 667g
- ISBN-13: 9780815323495
- ISBN-10: 0815323492
- Artikelnr.: 21896600
- Verlag: Taylor & Francis
- Seitenzahl: 262
- Erscheinungstermin: 23. März 2001
- Englisch
- Abmessung: 234mm x 157mm x 27mm
- Gewicht: 667g
- ISBN-13: 9780815323495
- ISBN-10: 0815323492
- Artikelnr.: 21896600
King Kimball
The Personal, the Political, and the Post-modern in Osbourne's Look Back in
Anger and Deja Vu by Austin Quigley * More than Realism: Horton Foote's
Impressionism by Tim Wright * * David Story's Aesthetic of Invisible Events
by William Hutchings * What's Wrong With This Picture? David Rabe's
Comic-Strip Plays by Toby Silverman * Hedda's Children: Simon Gray's
Anti-Heroes by Katherine Burkman * Romanticism and Reaction: Hampton's
Transformation of Liasons Dangereuses by Stephanie Barbe Hammer * The
Artistic Trajectory of Peter Schaffer by C.J. Gianakaris * The Artist in
the Garden: Theatre Space and Place in Landford Wilson by Thomas P. Adler *
Great Expectations: Languages and the Problem of Presence in Sam Shepard's
Writing by Ann Wilson * Vision and Reality: Their Very Own and Golden City
and Center 42 by Clive Barker * Funny Money in New York and London: Neil
Simon and Alan Aykbourn by Ruby Cohn * Master Class and the Paradox of the
Diva by Cary Mazer * From Zurich to Brazil with Tom Stoppard by Felicia
Hardison Londre * The Romans in Britain: Aspirations and Anxieties of a
Radical Playwright by Ann Wilson * Female Laughter and Comic Possibilities:
Uncommon Women and Others by Miriam Chirico * Phallus in Wonderland:
Machismo and Business in David Mamet's Glengarry Glen Ross by Hersh Zeifman
* The Dumb Waiter, The Collection, The Lover, and The Homecoming: A
Revisionist Approach by George Wellworth * Who Wrote John Arden's Plays? by
Tish Dace * Negotiating History, Negotiating Myth: Friel Among his
Contemporaries by Claire Gleitman * Monsters and Heroines: Caryl
Churchill's Women by Lisa Merrill * Playing with Place: Some Filmic
Techniques in the Plays of David Hare by John Russell Brown
Anger and Deja Vu by Austin Quigley * More than Realism: Horton Foote's
Impressionism by Tim Wright * * David Story's Aesthetic of Invisible Events
by William Hutchings * What's Wrong With This Picture? David Rabe's
Comic-Strip Plays by Toby Silverman * Hedda's Children: Simon Gray's
Anti-Heroes by Katherine Burkman * Romanticism and Reaction: Hampton's
Transformation of Liasons Dangereuses by Stephanie Barbe Hammer * The
Artistic Trajectory of Peter Schaffer by C.J. Gianakaris * The Artist in
the Garden: Theatre Space and Place in Landford Wilson by Thomas P. Adler *
Great Expectations: Languages and the Problem of Presence in Sam Shepard's
Writing by Ann Wilson * Vision and Reality: Their Very Own and Golden City
and Center 42 by Clive Barker * Funny Money in New York and London: Neil
Simon and Alan Aykbourn by Ruby Cohn * Master Class and the Paradox of the
Diva by Cary Mazer * From Zurich to Brazil with Tom Stoppard by Felicia
Hardison Londre * The Romans in Britain: Aspirations and Anxieties of a
Radical Playwright by Ann Wilson * Female Laughter and Comic Possibilities:
Uncommon Women and Others by Miriam Chirico * Phallus in Wonderland:
Machismo and Business in David Mamet's Glengarry Glen Ross by Hersh Zeifman
* The Dumb Waiter, The Collection, The Lover, and The Homecoming: A
Revisionist Approach by George Wellworth * Who Wrote John Arden's Plays? by
Tish Dace * Negotiating History, Negotiating Myth: Friel Among his
Contemporaries by Claire Gleitman * Monsters and Heroines: Caryl
Churchill's Women by Lisa Merrill * Playing with Place: Some Filmic
Techniques in the Plays of David Hare by John Russell Brown
The Personal, the Political, and the Post-modern in Osbourne's Look Back in
Anger and Deja Vu by Austin Quigley * More than Realism: Horton Foote's
Impressionism by Tim Wright * * David Story's Aesthetic of Invisible Events
by William Hutchings * What's Wrong With This Picture? David Rabe's
Comic-Strip Plays by Toby Silverman * Hedda's Children: Simon Gray's
Anti-Heroes by Katherine Burkman * Romanticism and Reaction: Hampton's
Transformation of Liasons Dangereuses by Stephanie Barbe Hammer * The
Artistic Trajectory of Peter Schaffer by C.J. Gianakaris * The Artist in
the Garden: Theatre Space and Place in Landford Wilson by Thomas P. Adler *
Great Expectations: Languages and the Problem of Presence in Sam Shepard's
Writing by Ann Wilson * Vision and Reality: Their Very Own and Golden City
and Center 42 by Clive Barker * Funny Money in New York and London: Neil
Simon and Alan Aykbourn by Ruby Cohn * Master Class and the Paradox of the
Diva by Cary Mazer * From Zurich to Brazil with Tom Stoppard by Felicia
Hardison Londre * The Romans in Britain: Aspirations and Anxieties of a
Radical Playwright by Ann Wilson * Female Laughter and Comic Possibilities:
Uncommon Women and Others by Miriam Chirico * Phallus in Wonderland:
Machismo and Business in David Mamet's Glengarry Glen Ross by Hersh Zeifman
* The Dumb Waiter, The Collection, The Lover, and The Homecoming: A
Revisionist Approach by George Wellworth * Who Wrote John Arden's Plays? by
Tish Dace * Negotiating History, Negotiating Myth: Friel Among his
Contemporaries by Claire Gleitman * Monsters and Heroines: Caryl
Churchill's Women by Lisa Merrill * Playing with Place: Some Filmic
Techniques in the Plays of David Hare by John Russell Brown
Anger and Deja Vu by Austin Quigley * More than Realism: Horton Foote's
Impressionism by Tim Wright * * David Story's Aesthetic of Invisible Events
by William Hutchings * What's Wrong With This Picture? David Rabe's
Comic-Strip Plays by Toby Silverman * Hedda's Children: Simon Gray's
Anti-Heroes by Katherine Burkman * Romanticism and Reaction: Hampton's
Transformation of Liasons Dangereuses by Stephanie Barbe Hammer * The
Artistic Trajectory of Peter Schaffer by C.J. Gianakaris * The Artist in
the Garden: Theatre Space and Place in Landford Wilson by Thomas P. Adler *
Great Expectations: Languages and the Problem of Presence in Sam Shepard's
Writing by Ann Wilson * Vision and Reality: Their Very Own and Golden City
and Center 42 by Clive Barker * Funny Money in New York and London: Neil
Simon and Alan Aykbourn by Ruby Cohn * Master Class and the Paradox of the
Diva by Cary Mazer * From Zurich to Brazil with Tom Stoppard by Felicia
Hardison Londre * The Romans in Britain: Aspirations and Anxieties of a
Radical Playwright by Ann Wilson * Female Laughter and Comic Possibilities:
Uncommon Women and Others by Miriam Chirico * Phallus in Wonderland:
Machismo and Business in David Mamet's Glengarry Glen Ross by Hersh Zeifman
* The Dumb Waiter, The Collection, The Lover, and The Homecoming: A
Revisionist Approach by George Wellworth * Who Wrote John Arden's Plays? by
Tish Dace * Negotiating History, Negotiating Myth: Friel Among his
Contemporaries by Claire Gleitman * Monsters and Heroines: Caryl
Churchill's Women by Lisa Merrill * Playing with Place: Some Filmic
Techniques in the Plays of David Hare by John Russell Brown