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In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian who argue that modernist art is underwritten by deeply religious concerns.

Produktbeschreibung
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian who argue that modernist art is underwritten by deeply religious concerns.
Autorenporträt
William A. Dyrness (DTheol, University of Strasbourg; Doctorandus, Free University) is professor of theology and culture at Fuller Theological Seminary. He is the author of many books, including Poetic Theology: God and the Poetics of Everyday Life, Senses of the Soul: Art and the Visual in Christian Worship, Reformed Theology and Visual Culture: The Protestant Imagination from Calvin to Edwards, and Visual Faith: Art, Theology, and Worship in Dialogue. Jonathan A. Anderson (MFA, California State University, Long Beach) is an artist, art critic and associate professor of art at Biola University. He is the coauthor, along with Amos Yong, of Renewing Christian Theology: Systematics for a Global Christianity and a contributor to Christian Scholarship in the Twenty-First Century: Prospects and Perils.