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In the summer of 2021, Miriam Cahn's project FOREIGN the foreignness in the southern valley of Bergell in the Swiss canton of Grisons provoked a lasting echo both in the public and the media. The renowned contemporary artist, who has lived in the valley for years, set new, unexpected accentuations with her most recent work in the historic Palazzo Castelmur. As part of a multi-layered performance, this publication embraces the theme of being a stranger and advances a deepening of the discourse surrounding her work. The book, designed by Paris-based graphic designer Achim Reichert, reflects the…mehr

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Produktbeschreibung
In the summer of 2021, Miriam Cahn's project FOREIGN the foreignness in the southern valley of Bergell in the Swiss canton of Grisons provoked a lasting echo both in the public and the media. The renowned contemporary artist, who has lived in the valley for years, set new, unexpected accentuations with her most recent work in the historic Palazzo Castelmur. As part of a multi-layered performance, this publication embraces the theme of being a stranger and advances a deepening of the discourse surrounding her work. The book, designed by Paris-based graphic designer Achim Reichert, reflects the conceptual openness of Miriam Cahn's artistically as well as socially arousing project. Captured by internationally acclaimed photographer Lukas Wassmann, the works are presented in their unique spatial constellation arranged by the artist herself.

MIRIAM CAHN (_1949) is considered one of the most acclaimed contemporary artists. For over four decades, she has been creating work based on an uncompromising resistance to discrimination in all forms. Influenced by performance art and the feminist movement of the 1960s and 1970s, her rich oeuvre includes painting, works on paper, performance, text, and film. She lives and works in Stampa, Switzerland.
Autorenporträt
Die Schweizer Künstlerin MIRIAM CAHN (_1949, Basel) setzt sich in Ölmalereien, Kohle-, Kreide-, Farb- und Bleistiftzeichnungen, Fotografien, Filmen und Installationen mit politischen und gesellschaftlichen Themen auseinander. Charakteristisch für ihre Werke ist eine starke Farbigkeit, die mit den wiederkehrenden Motiven Gewalt, Zärtlichkeit, Krieg, Verwüstung und körperliche Versehrtheit starke Kontraste bildet. Ihr Schaffen selbst schreibend zu kommentieren, zieht sich dabei als roter Faden durch Cahns künstlerischen Werdegang. Sie durchleuchtet ihre eigenen Arbeiten, kommentiert dabei das Kunst- und Weltgeschehen und stellt die Texte auch in Ausstellungen und Publikationen den Werken gegenüber.