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In seeing printed reproductions as a form of response to Michelangelo's work, the author focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences.
Michelangelo in Print is a readable narrative that pays special attention to the ways reproductive prints served the artist, printmakers, publishers, and audiences. Focusing on printed reproductions made during the sixteenth century, this study identifies prints as indicators of how Michelangelo's works became known, discussed, and integrated…mehr

Produktbeschreibung
In seeing printed reproductions as a form of response to Michelangelo's work, the author focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences.
Michelangelo in Print is a readable narrative that pays special attention to the ways reproductive prints served the artist, printmakers, publishers, and audiences. Focusing on printed reproductions made during the sixteenth century, this study identifies prints as indicators of how Michelangelo's works became known, discussed, and integrated into art history. The volume includes a comprehensive checklist organized by the work reproduced
Autorenporträt
Bernadine Barnes is Professor of Art History at Wake Forest University, USA.