Metamorphosis in Music examines the evolution of compositional technique in Ligeti's works of the 1950s and 1960s. Through careful analysis of sketches, drafts, and finished scores, it reveals complex influences on the composer's creative process as he moved from the folk-inspired world of Bartók to the forefront of the avant-garde.
Metamorphosis in Music examines the evolution of compositional technique in Ligeti's works of the 1950s and 1960s. Through careful analysis of sketches, drafts, and finished scores, it reveals complex influences on the composer's creative process as he moved from the folk-inspired world of Bartók to the forefront of the avant-garde.
Benjamin R. Levy is an Associate Professor of Music Theory at the University of California, Santa Barbara. He specializes in twentieth-century and contemporary music and has published on composers including Ligeti, Xenakis, and Feldman. He received the Society for Music Theory's Emerging Scholar Award in 2011.
Inhaltsangabe
Table of Contents Acknowledgements Introduction Chapter 1: Discontent and Early Experiments (1950-56) Chapter 2: Electronic Works (1957-58) Chapter 3: Apparitions and Atmosphères (1958-61) Chapter 4: Fluxus and the Absurd (1961-62) Chapter 5: Synthesis of Technique (1962-67) Chapter 6: Compositional Flourishing (1967-70) Conclusion: Form and Expression at the turn of the 1970s Bibliography Index
Table of Contents Acknowledgements Introduction Chapter 1: Discontent and Early Experiments (1950-56) Chapter 2: Electronic Works (1957-58) Chapter 3: Apparitions and Atmosphères (1958-61) Chapter 4: Fluxus and the Absurd (1961-62) Chapter 5: Synthesis of Technique (1962-67) Chapter 6: Compositional Flourishing (1967-70) Conclusion: Form and Expression at the turn of the 1970s Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309