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These new essays written specifically for this volume explore the various aspects of Olivier Messiaen's spiritually committed musical language, drawing on his own remarks in subheadings and prefaces, his biblical and theological citations, his allusions to works of visual art, and on the language spoken directly by the musical tropes themselves.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Produktbeschreibung
These new essays written specifically for this volume explore the various aspects of Olivier Messiaen's spiritually committed musical language, drawing on his own remarks in subheadings and prefaces, his biblical and theological citations, his allusions to works of visual art, and on the language spoken directly by the musical tropes themselves.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Autorenporträt
Siglind Bruhn