The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.
The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.
Susan Griffin is Justus Bier Professor of Humanities & Chair of the Department of English at the University of Louisville. Alan Nadel is William T. Bryan Chair in American Literature & Culture, University of Kentucky.
Inhaltsangabe
* Reading James with Hitchcock, Reading Hitchcock with James * National Bodies * Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps * Henry James and Alfred Hitchcock after the American Century: Circulation and Non-Return in The American Scene and Strangers on a Train * Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much * Bump: Concussive Knowledge in James and Hitchcock * James's Birdcage/Hitchcock's Birds * Sounds of Silence in The Wings of the Dove and Blackmail * The Perfect Enigma * Hands, Objects and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious * The Touch of the Real: Circumscribing Vertigo * Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho * Caged Heat: Feminist Rebellion in Henry James's In the Cage and Alfred Hitchcock's Rear Window * Shadows of Modernity: What Maisie Knew and Shadow of a Doubt * Awkward Ages: James and Hitchcock In Between * Works Cited * Contributors * Index
* Reading James with Hitchcock, Reading Hitchcock with James * National Bodies * Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps * Henry James and Alfred Hitchcock after the American Century: Circulation and Non-Return in The American Scene and Strangers on a Train * Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much * Bump: Concussive Knowledge in James and Hitchcock * James's Birdcage/Hitchcock's Birds * Sounds of Silence in The Wings of the Dove and Blackmail * The Perfect Enigma * Hands, Objects and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious * The Touch of the Real: Circumscribing Vertigo * Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho * Caged Heat: Feminist Rebellion in Henry James's In the Cage and Alfred Hitchcock's Rear Window * Shadows of Modernity: What Maisie Knew and Shadow of a Doubt * Awkward Ages: James and Hitchcock In Between * Works Cited * Contributors * Index
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