Film itself is an artifact of memory. A blend of all the other fine arts, film portrays and preserves human memory, someone's memory, faulty or not, dramatically or comically, in a documentary, feature film or short. Hollywood may dominate 80 percent of cinema production but it is not the only voice. World cinema is about those other voices. Drawn initially from presentations from a series of film conferences held at the University of Texas at San Antonio, this collection of essays covers multiple geographical, linguistic, and cultural areas worldwide, emphasizing the historical and cultural…mehr
Film itself is an artifact of memory. A blend of all the other fine arts, film portrays and preserves human memory, someone's memory, faulty or not, dramatically or comically, in a documentary, feature film or short. Hollywood may dominate 80 percent of cinema production but it is not the only voice. World cinema is about those other voices. Drawn initially from presentations from a series of film conferences held at the University of Texas at San Antonio, this collection of essays covers multiple geographical, linguistic, and cultural areas worldwide, emphasizing the historical and cultural interpretation of films. Appendices list films focusing on memory and invite readers to explore the films and issues raised.
Nancy J. Membrez is a professor of Spanish literature, culture, and Spanish and Latin American cinemas, as well as film production, at the University of Texas at San Antonio. She wrote the English subtitles for four Subiela films and produced three featurettes for the Kino Lorber DVD/Blu-ray of Man Facing Southeast. Her own film Portrait in Sepia Tone won Best Picture and Best Soundtrack at the International Filmmakers' Film Festival in Kent, England, in 2008. She lives in San Antonio, Texas.
Inhaltsangabe
Table of Contents Acknowledgments Introduction In Search of Lost Time: Memory and Recall in French Cinema of the Fourth Republic (1946-1958) (Tim Palmer) The Seamless Web: Trauma, Memory and Self-Creation in El laberinto del fauno (Pan's Labyrinth, Del Toro, 2006) (John Incledon) Transmission, Legacy and Desire in the Urban Cosmos of Amic/Amat (Beloved/Friend, Pons, 1998) (Melissa Wallace) Trauma, Amnesia and Alzheimer's on Belgian TV: Tabula Rasa (2017) (Nancy J. Membrez) Film as Autobiographical Act: Pasolini's Edipo Re (Oedipus, 1967) (Linda Belau) Memory, Children and Remorse in Sorrentino's The Great Beauty (2013) (Molly Mezzetti Zaldivar) Chronicles of Boys Alone: Sciuscià (Shoeshine, De Sica, 1946) and Crónica de un niño solo (Chronicle of a Boy Alone, Favio, 1965) (Erin K. Hogan) Images of Childhood in Eliseo Subiela's Films (1986-2001) Liliana Judith Guzmán, translated by Nancy J. Memrez In Memoriam: A Short Apocryphal Biography of Eliseo Subiela (1944-2016) (Nancy J. Membrez) Colonial Memory and Re-Birth in Ivy Marãey (Land Without Evil, Valdivia, 2013) (Keith John Richards) A Memento Mori: The Transnational Case of Macario (Gavaldón, 1960) (Nancy J. Membrez) The Commodification of Historical Memory on Film: The Case of the Mirabal Sisters in the Dominican Republic (Fernando Valerio-Holguín, translated by Nancy J. Membrez) Kairo (Pulse, Kurosawa, 2001) and Kairos: Postmodern Japanese Computer Culture, Memory and Entropy (Gilles A. Viennot, translated by James H. Membrez) Memory in Three Japanese Films: Rashomon (Kurosawa, 1950), Grave of the Fireflies (Takahata, 1988) and After Life (Kore'eda, 1998) (Nancy J. Membrez) An Interview with Bolivian Director Juan Carlos Valdivia (Keith John Richards) An Interview with Paula Félix-Didier, Director of the Museo del Cine Pablo C. Ducrós-Hicken in Buenos Aires (Nancy J. Membrez) Appendix I. Films with the Theme of Memory Appendix II. Films with the Theme of Memory Through the Eyes of a Child/Child Protagonist About the Contributors Index
Table of Contents Acknowledgments Introduction In Search of Lost Time: Memory and Recall in French Cinema of the Fourth Republic (1946-1958) (Tim Palmer) The Seamless Web: Trauma, Memory and Self-Creation in El laberinto del fauno (Pan's Labyrinth, Del Toro, 2006) (John Incledon) Transmission, Legacy and Desire in the Urban Cosmos of Amic/Amat (Beloved/Friend, Pons, 1998) (Melissa Wallace) Trauma, Amnesia and Alzheimer's on Belgian TV: Tabula Rasa (2017) (Nancy J. Membrez) Film as Autobiographical Act: Pasolini's Edipo Re (Oedipus, 1967) (Linda Belau) Memory, Children and Remorse in Sorrentino's The Great Beauty (2013) (Molly Mezzetti Zaldivar) Chronicles of Boys Alone: Sciuscià (Shoeshine, De Sica, 1946) and Crónica de un niño solo (Chronicle of a Boy Alone, Favio, 1965) (Erin K. Hogan) Images of Childhood in Eliseo Subiela's Films (1986-2001) Liliana Judith Guzmán, translated by Nancy J. Memrez In Memoriam: A Short Apocryphal Biography of Eliseo Subiela (1944-2016) (Nancy J. Membrez) Colonial Memory and Re-Birth in Ivy Marãey (Land Without Evil, Valdivia, 2013) (Keith John Richards) A Memento Mori: The Transnational Case of Macario (Gavaldón, 1960) (Nancy J. Membrez) The Commodification of Historical Memory on Film: The Case of the Mirabal Sisters in the Dominican Republic (Fernando Valerio-Holguín, translated by Nancy J. Membrez) Kairo (Pulse, Kurosawa, 2001) and Kairos: Postmodern Japanese Computer Culture, Memory and Entropy (Gilles A. Viennot, translated by James H. Membrez) Memory in Three Japanese Films: Rashomon (Kurosawa, 1950), Grave of the Fireflies (Takahata, 1988) and After Life (Kore'eda, 1998) (Nancy J. Membrez) An Interview with Bolivian Director Juan Carlos Valdivia (Keith John Richards) An Interview with Paula Félix-Didier, Director of the Museo del Cine Pablo C. Ducrós-Hicken in Buenos Aires (Nancy J. Membrez) Appendix I. Films with the Theme of Memory Appendix II. Films with the Theme of Memory Through the Eyes of a Child/Child Protagonist About the Contributors Index
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