Freeburg analyzes how Melville grapples with realities of racial difference in nineteenth-century America by examining 'blackness' in Melville's fiction.
Freeburg analyzes how Melville grapples with realities of racial difference in nineteenth-century America by examining 'blackness' in Melville's fiction.
Christopher Freeburg is Assistant Professor of English at the University of Illinois, Urbana. He received his PhD from the University of Chicago and his Master's from Stanford University. His work has appeared in journals such as American Literature and Modern Fiction Studies.
Inhaltsangabe
Acknowledgments Preface: darkening the past Introduction: resurrecting blackness 1. Knowing the 'bottomless deep': Moby-Dick 2. Living 'within the maelstrom': Pierre 3. Thwarting the 'regulated mind': 'Benito Cereno' 4. Embodying the 'assaults of time': 'The Encantadas' Notes.
Acknowledgments Preface: darkening the past Introduction: resurrecting blackness 1. Knowing the 'bottomless deep': Moby-Dick 2. Living 'within the maelstrom': Pierre 3. Thwarting the 'regulated mind': 'Benito Cereno' 4. Embodying the 'assaults of time': 'The Encantadas' Notes.
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