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Melodrama is often seen as a blunt aesthetic tool tainted by its reliance on improbable situations, moral binaries, and overwhelming emotion, features that made it a likely ingredient of British imperial propaganda during the late nineteenth century.

Produktbeschreibung
Melodrama is often seen as a blunt aesthetic tool tainted by its reliance on improbable situations, moral binaries, and overwhelming emotion, features that made it a likely ingredient of British imperial propaganda during the late nineteenth century.
Autorenporträt
Neil Hultgren is an associate professor of English at California State University, Long Beach, where he teaches courses in British literature and Victorian studies. He has written on Wilkie Collins, H. Rider Haggard, and Oscar Wilde, and his articles have appeared in such venues as Literature Compass and Victorians Institute Journal.