This book documents and analyzes how the contemporary Mediterranean city manages and negotiates its identity as a result of recent reconfigurations in its cultural, religious, and social landscape. The chapters in this book provide a broad and comprehensive investigation of the ways in which recent cultural productions have framed and re-imagined the Mediterranean city as a locus of departures, arrivals and contested belonging.
This book documents and analyzes how the contemporary Mediterranean city manages and negotiates its identity as a result of recent reconfigurations in its cultural, religious, and social landscape. The chapters in this book provide a broad and comprehensive investigation of the ways in which recent cultural productions have framed and re-imagined the Mediterranean city as a locus of departures, arrivals and contested belonging.
Edited by Michela Ardizzoni and Valerio Ferme - Contributions by Guillaume Bernardi; Nabil Echchaibi; Valentina Fulginiti; Valérie K. Orlando; Mary Vogl and G. Carole Woodall
Inhaltsangabe
Introduction: The Mediterranean, the City, and Cultural Encounters Valerio Ferme and Michela Ardizzoni Chapter 1: Decadent Nights: A Cocaine-Filled Reading of 1920s Post-Ottoman Istanbul G. Carole Woodall Chapter 2: Close(d) Encounters: Tangier, the Arts, and the North-South Divide Mary Vogl Chapter 3: Cityscapes as Dystopias in Moroccan Film: Hicham Lasri's L'Os de fer (2007) Valérie K. Orlando Chapter 4: New Imagined Frenchness: Med'In Marseille and the Identity Debates in France Nabil Echchaibi Chapter 5: Neapolitan Media Activism and Translocal Identities Michela Ardizzoni Chapter 6: Where is Naples? Locating Naples in John Turturro's film Passione Guillaume Bernardi Chapter 7: Lands of Approximation: The Use of Chinese Icons in Roberto Saviano's Gomorra and Ermanno Rea's La dismissione Valentina Fulginiti Chapter 8: Utopia by the Sea: The Disappearance of the City and the Myth the Mediterranean in Nuovo Cinema Paradiso, Mediterraneo, and Il Postino Valerio Ferme About the Contributors
Introduction: The Mediterranean, the City, and Cultural Encounters Valerio Ferme and Michela Ardizzoni Chapter 1: Decadent Nights: A Cocaine-Filled Reading of 1920s Post-Ottoman Istanbul G. Carole Woodall Chapter 2: Close(d) Encounters: Tangier, the Arts, and the North-South Divide Mary Vogl Chapter 3: Cityscapes as Dystopias in Moroccan Film: Hicham Lasri's L'Os de fer (2007) Valérie K. Orlando Chapter 4: New Imagined Frenchness: Med'In Marseille and the Identity Debates in France Nabil Echchaibi Chapter 5: Neapolitan Media Activism and Translocal Identities Michela Ardizzoni Chapter 6: Where is Naples? Locating Naples in John Turturro's film Passione Guillaume Bernardi Chapter 7: Lands of Approximation: The Use of Chinese Icons in Roberto Saviano's Gomorra and Ermanno Rea's La dismissione Valentina Fulginiti Chapter 8: Utopia by the Sea: The Disappearance of the City and the Myth the Mediterranean in Nuovo Cinema Paradiso, Mediterraneo, and Il Postino Valerio Ferme About the Contributors
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