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"By using feminist and cultural theories, this revisionist approach attempts to correct the previous studies that contend that Venus and Cupid 'always and everywhere represent two loves (good and evil).' . . . This book is more accessible than one might suppose. . . . A readable book with helpful (as opposed to overwhelming) notes."--Choice "This handsome work provides impetus for further thought concerning these two deities as they appear throughout the Middle English canon and should become a major component of Medieval literary criticism."--South Atlantic Review