Introduction Glenn D. Burger and Holly A. Crocker 1. Weeping like a beaten child: figurative language and the emotions in Chaucer and Malory Stephanie Trigg 2. Imagining Jewish affect in the Siege of Jerusalem Patricia DeMarco 3. Engendering affect in Hoccleve's Series Holly A. Crocker 4. Becoming one flesh, inhabiting two genders: ugly feelings and blocked emotion in the Wife of Bath's Prologue and Tale Glenn D. Burger 5. Accounting for affect in the Reeve's Tale Brantley L. Bryant 6. Affect machines Sarah Salih 7. Witnessing and legal affect in the York Trial plays Emma Lipton 8. Affecting forms: theorizing with The Palis of Honoure Anke Bernau Afterword: three letters Anthony Bale.
Introduction Glenn D. Burger and Holly A. Crocker 1. Weeping like a beaten child: figurative language and the emotions in Chaucer and Malory Stephanie Trigg 2. Imagining Jewish affect in the Siege of Jerusalem Patricia DeMarco 3. Engendering affect in Hoccleve's Series Holly A. Crocker 4. Becoming one flesh, inhabiting two genders: ugly feelings and blocked emotion in the Wife of Bath's Prologue and Tale Glenn D. Burger 5. Accounting for affect in the Reeve's Tale Brantley L. Bryant 6. Affect machines Sarah Salih 7. Witnessing and legal affect in the York Trial plays Emma Lipton 8. Affecting forms: theorizing with The Palis of Honoure Anke Bernau Afterword: three letters Anthony Bale.
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