Media Warfare is the concluding volume of Melvin Lasky's monumental TheLanguage of Journalism, a three-volume series that has been praised as a "brilliant" and "original" study in communications and contemporary language. Firmly rooted in the critical tradition of H. L. Mencken, George Orwell, and Karl Kraus, Lasky's incisive analysis of journalistic use and misuse of language measures the cultural and political health of contemporary society as well the declining standards of contemporary journalism.
Media Warfare is the concluding volume of Melvin Lasky's monumental TheLanguage of Journalism, a three-volume series that has been praised as a "brilliant" and "original" study in communications and contemporary language. Firmly rooted in the critical tradition of H. L. Mencken, George Orwell, and Karl Kraus, Lasky's incisive analysis of journalistic use and misuse of language measures the cultural and political health of contemporary society as well the declining standards of contemporary journalism.
1: Intermezzo Robert Burton's Melancholy Dilemma: Journalism without Newspapers 1: The Universal Assignment 2: The Journalistic Imagination 3: Reporting Murder, Observing the World 4: From More to Tyndale to Burton 5: Euphuistic Euphoria 6: In Dreams Begin Irresponsibilities 7: Secret Expletives 8: Across the Centuries 9: Mentioning the Unmentionable 2: The Orgasm that Failed 10: The Swinging Pendulum 11: Searching for an Immoral Equivalent 3: The Perception of American Words 12: Feisty to Funky to Flaky 13: Godperson and Other Funny Talk 14: Perception Uncleansed 15: Hillary, and Getting the Perception Right 4: A Journalist Gets Serious: In P.G. Wodehouse's "Noo Yawk" 16: The Birth of a Crusader 17: Facts, From Homer to Kafka (Elmore Leonard) 18: Jewish Gangsters and the East Side Story 19: Was This How Things Really Were? 5: In the Crossfire of the Media Wars 20: Spin Doctors and Other Quacks 21: Images of Violence, Words of War 22: How Not to Report a War (Lebanon 1982) 23: Interchangeable Tragedy 24: Of Realities and Realpolitik 25: Spielberg, Or the Hollywood Scapegoat 26: Journalism and Jewry 27: White House Storm, Or "Hurricane Monica" 6: Intimations of a Post-Profane Era 28: A Curse on Boyle's Law 29: Scholem's Nouns and Verbs 30: Robert Graves, Or the Vision of a Post-Profane Era 31: Counter-Revolution and Utopia
1: Intermezzo Robert Burton's Melancholy Dilemma: Journalism without Newspapers 1: The Universal Assignment 2: The Journalistic Imagination 3: Reporting Murder, Observing the World 4: From More to Tyndale to Burton 5: Euphuistic Euphoria 6: In Dreams Begin Irresponsibilities 7: Secret Expletives 8: Across the Centuries 9: Mentioning the Unmentionable 2: The Orgasm that Failed 10: The Swinging Pendulum 11: Searching for an Immoral Equivalent 3: The Perception of American Words 12: Feisty to Funky to Flaky 13: Godperson and Other Funny Talk 14: Perception Uncleansed 15: Hillary, and Getting the Perception Right 4: A Journalist Gets Serious: In P.G. Wodehouse's "Noo Yawk" 16: The Birth of a Crusader 17: Facts, From Homer to Kafka (Elmore Leonard) 18: Jewish Gangsters and the East Side Story 19: Was This How Things Really Were? 5: In the Crossfire of the Media Wars 20: Spin Doctors and Other Quacks 21: Images of Violence, Words of War 22: How Not to Report a War (Lebanon 1982) 23: Interchangeable Tragedy 24: Of Realities and Realpolitik 25: Spielberg, Or the Hollywood Scapegoat 26: Journalism and Jewry 27: White House Storm, Or "Hurricane Monica" 6: Intimations of a Post-Profane Era 28: A Curse on Boyle's Law 29: Scholem's Nouns and Verbs 30: Robert Graves, Or the Vision of a Post-Profane Era 31: Counter-Revolution and Utopia
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