Delinda Collier is Associate Professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is the author of Repainting the Walls of Lunda: Information Colonialism and Angolan Art.
Inhaltsangabe
Acknowledgments vii Introduction. African Art History and the Medium Concept 1 1. Film as Light, Film as Indigenous 31 2. Electronic Sound as Trance ad Resonance 61 3. The Song as Private Property 93 4. Artificial Blackness, or Extraction as Abstraction 119 5. "The Earth and the Substratum Are Not Enough" 153 6. The Seed and the Field 183 Afterword 211 Notes 215 Bibliography 237 Index
Acknowledgments vii Introduction. African Art History and the Medium Concept 1 1. Film as Light, Film as Indigenous 31 2. Electronic Sound as Trance ad Resonance 61 3. The Song as Private Property 93 4. Artificial Blackness, or Extraction as Abstraction 119 5. "The Earth and the Substratum Are Not Enough" 153 6. The Seed and the Field 183 Afterword 211 Notes 215 Bibliography 237 Index
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