Media Industries in Crisis
What COVID Unmasked
Herausgeber: Banks, Miranda; Mayer, Vicki; Lavie, Noa
Media Industries in Crisis
What COVID Unmasked
Herausgeber: Banks, Miranda; Mayer, Vicki; Lavie, Noa
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This edited volume offers a global overview that impact the COVID-19 pandemic, and other significant crises, have had on media industries and how theyâ ve responded.
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This edited volume offers a global overview that impact the COVID-19 pandemic, and other significant crises, have had on media industries and how theyâ ve responded.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 270
- Erscheinungstermin: 2. April 2024
- Englisch
- Abmessung: 152mm x 230mm x 19mm
- Gewicht: 424g
- ISBN-13: 9781032481906
- ISBN-10: 1032481900
- Artikelnr.: 70102948
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 270
- Erscheinungstermin: 2. April 2024
- Englisch
- Abmessung: 152mm x 230mm x 19mm
- Gewicht: 424g
- ISBN-13: 9781032481906
- ISBN-10: 1032481900
- Artikelnr.: 70102948
Vicki Mayer is Professor of Communication at Tulane University. She is author or editor of several books about media and communication, especially cultures of production. Her edited/authored books include Production Studies: Cultural Studies of Media Industries (2009), Below the Line: Producers and Production Studies in the New Television Economy (2011) and Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy (2017). Noa Lavie is Senior Lecturer and Head of the Communication and Media Unit at Academic College of Tel Aviv¿Jaffa. Her work on the sociology of culture, media industries and television studies has led to prestigious grants (ISF 2017, BSF 2021) and publications in Ethnicities, Media Culture and Society, Sociology, Television and New Media, and Poetics. Miranda Banks is Associate Professor and Chair of Film, Television, and Media Studies at Loyola Marymount University. She is author of The Writers: A History of American Screenwriters and Their Guild (2015) and coeditor of Production Studies (2009) and Production Studies, The Sequel! (2016).
Introduction: COVID Strikes: The Makings of Crisis within a Crisis Industry
Vicki Mayer PART I: Defining Stakes and Stakeholders in Media Crises 1.
Insider Stakeholders: Hollywood in Crisis Miranda Banks 2. Essential
Stakeholders: Is Kirsten's Dunst's Nanny an "Essential" Worker? Dispatches
from Studio New Zealand Bridget Conor 3. Policy Stakeholders: Political
Pivots and Precarity in Colombia's Orange Economy Enrique Uribe Jongbloed
and César Mora-Moreo 4. Cultural Stakeholders: Solidarity in Finland for
Creative Justice Anne Soronen 5. External Stakeholders: How Hollywood's
U.S. Boosters Normalized Risk Kate Fortmueller 6. Stakeholders in Troubled
Times: Understanding the Scene of Egyptian Media Production in Two
Timeframes Mariz Kelada and Chihab El Khachab PART II: From the Headlines:
Crisis Management and Communications 7. Polish Perspectives on Netflix
COVID-19 Relief Funds Michä Pabi¿-Orzeszyna 8. Studio Construction in
Ireland-Boom, Bubble-or Both? Bill Grantham 9. Indian Pandemic
Entertainment Aesthetics and Infrastructure Darshana Sreedhar Mini 10. "Not
Essential": The Controversial Status of Turkish Dizis Zeynep Sertbulut 11.
COVID Variants and Colonial Remnants in South African Media Industries
Jessica Dickson 12. Shooting with a Long Lens: Three Interviews with a
Feminist Filmmaker in the Age of US Racial Reckonings Angela Tucker and
Vicki Mayer 13. Work Contracts and Creative Justice for Turkey Ergin Bulut
14. Working From Home for Abroad: (Re)configurations of the Brazilian
Animation Industry Elena Altheman 15. Fraught Gathering: Studio-Exhibitor
Reckoning at CinemaCon 2021 Charlotte Orzel 16. Collaborative Networks for
Streaming Film Festivals as Crisis Responses in Germany Skadi Loist 17.
Multi-Cinemas and the Moment of Meme Capitalism Toby Miller PART III:
Lessons Learned about Crises 18. Combat Lessons on the Decline of Democracy
in/on Israeli Television News Noa Lavie 19. Taking a Cue from the COVID
Lobby: Lessons for Greening Dutch Film Production Judith Keilbach 20. COVID
Choreography in the U.K.: Redefining Intimacy on Set Tanya Horeck and Susan
Berridge 21. Lessons from Mumbai: Managing the Lockdowns in Two Media
Industries Tejaswini Ganti 22. Riding the Roller Coaster: Scenes from the
Chinese Film Industry Ying Zhu 23. Epilogue: Learning from One Particular
Crisis Miranda Banks, Vicki Mayer, and Noa Lavie
Vicki Mayer PART I: Defining Stakes and Stakeholders in Media Crises 1.
Insider Stakeholders: Hollywood in Crisis Miranda Banks 2. Essential
Stakeholders: Is Kirsten's Dunst's Nanny an "Essential" Worker? Dispatches
from Studio New Zealand Bridget Conor 3. Policy Stakeholders: Political
Pivots and Precarity in Colombia's Orange Economy Enrique Uribe Jongbloed
and César Mora-Moreo 4. Cultural Stakeholders: Solidarity in Finland for
Creative Justice Anne Soronen 5. External Stakeholders: How Hollywood's
U.S. Boosters Normalized Risk Kate Fortmueller 6. Stakeholders in Troubled
Times: Understanding the Scene of Egyptian Media Production in Two
Timeframes Mariz Kelada and Chihab El Khachab PART II: From the Headlines:
Crisis Management and Communications 7. Polish Perspectives on Netflix
COVID-19 Relief Funds Michä Pabi¿-Orzeszyna 8. Studio Construction in
Ireland-Boom, Bubble-or Both? Bill Grantham 9. Indian Pandemic
Entertainment Aesthetics and Infrastructure Darshana Sreedhar Mini 10. "Not
Essential": The Controversial Status of Turkish Dizis Zeynep Sertbulut 11.
COVID Variants and Colonial Remnants in South African Media Industries
Jessica Dickson 12. Shooting with a Long Lens: Three Interviews with a
Feminist Filmmaker in the Age of US Racial Reckonings Angela Tucker and
Vicki Mayer 13. Work Contracts and Creative Justice for Turkey Ergin Bulut
14. Working From Home for Abroad: (Re)configurations of the Brazilian
Animation Industry Elena Altheman 15. Fraught Gathering: Studio-Exhibitor
Reckoning at CinemaCon 2021 Charlotte Orzel 16. Collaborative Networks for
Streaming Film Festivals as Crisis Responses in Germany Skadi Loist 17.
Multi-Cinemas and the Moment of Meme Capitalism Toby Miller PART III:
Lessons Learned about Crises 18. Combat Lessons on the Decline of Democracy
in/on Israeli Television News Noa Lavie 19. Taking a Cue from the COVID
Lobby: Lessons for Greening Dutch Film Production Judith Keilbach 20. COVID
Choreography in the U.K.: Redefining Intimacy on Set Tanya Horeck and Susan
Berridge 21. Lessons from Mumbai: Managing the Lockdowns in Two Media
Industries Tejaswini Ganti 22. Riding the Roller Coaster: Scenes from the
Chinese Film Industry Ying Zhu 23. Epilogue: Learning from One Particular
Crisis Miranda Banks, Vicki Mayer, and Noa Lavie
Introduction: COVID Strikes: The Makings of Crisis within a Crisis Industry
Vicki Mayer PART I: Defining Stakes and Stakeholders in Media Crises 1.
Insider Stakeholders: Hollywood in Crisis Miranda Banks 2. Essential
Stakeholders: Is Kirsten's Dunst's Nanny an "Essential" Worker? Dispatches
from Studio New Zealand Bridget Conor 3. Policy Stakeholders: Political
Pivots and Precarity in Colombia's Orange Economy Enrique Uribe Jongbloed
and César Mora-Moreo 4. Cultural Stakeholders: Solidarity in Finland for
Creative Justice Anne Soronen 5. External Stakeholders: How Hollywood's
U.S. Boosters Normalized Risk Kate Fortmueller 6. Stakeholders in Troubled
Times: Understanding the Scene of Egyptian Media Production in Two
Timeframes Mariz Kelada and Chihab El Khachab PART II: From the Headlines:
Crisis Management and Communications 7. Polish Perspectives on Netflix
COVID-19 Relief Funds Michä Pabi¿-Orzeszyna 8. Studio Construction in
Ireland-Boom, Bubble-or Both? Bill Grantham 9. Indian Pandemic
Entertainment Aesthetics and Infrastructure Darshana Sreedhar Mini 10. "Not
Essential": The Controversial Status of Turkish Dizis Zeynep Sertbulut 11.
COVID Variants and Colonial Remnants in South African Media Industries
Jessica Dickson 12. Shooting with a Long Lens: Three Interviews with a
Feminist Filmmaker in the Age of US Racial Reckonings Angela Tucker and
Vicki Mayer 13. Work Contracts and Creative Justice for Turkey Ergin Bulut
14. Working From Home for Abroad: (Re)configurations of the Brazilian
Animation Industry Elena Altheman 15. Fraught Gathering: Studio-Exhibitor
Reckoning at CinemaCon 2021 Charlotte Orzel 16. Collaborative Networks for
Streaming Film Festivals as Crisis Responses in Germany Skadi Loist 17.
Multi-Cinemas and the Moment of Meme Capitalism Toby Miller PART III:
Lessons Learned about Crises 18. Combat Lessons on the Decline of Democracy
in/on Israeli Television News Noa Lavie 19. Taking a Cue from the COVID
Lobby: Lessons for Greening Dutch Film Production Judith Keilbach 20. COVID
Choreography in the U.K.: Redefining Intimacy on Set Tanya Horeck and Susan
Berridge 21. Lessons from Mumbai: Managing the Lockdowns in Two Media
Industries Tejaswini Ganti 22. Riding the Roller Coaster: Scenes from the
Chinese Film Industry Ying Zhu 23. Epilogue: Learning from One Particular
Crisis Miranda Banks, Vicki Mayer, and Noa Lavie
Vicki Mayer PART I: Defining Stakes and Stakeholders in Media Crises 1.
Insider Stakeholders: Hollywood in Crisis Miranda Banks 2. Essential
Stakeholders: Is Kirsten's Dunst's Nanny an "Essential" Worker? Dispatches
from Studio New Zealand Bridget Conor 3. Policy Stakeholders: Political
Pivots and Precarity in Colombia's Orange Economy Enrique Uribe Jongbloed
and César Mora-Moreo 4. Cultural Stakeholders: Solidarity in Finland for
Creative Justice Anne Soronen 5. External Stakeholders: How Hollywood's
U.S. Boosters Normalized Risk Kate Fortmueller 6. Stakeholders in Troubled
Times: Understanding the Scene of Egyptian Media Production in Two
Timeframes Mariz Kelada and Chihab El Khachab PART II: From the Headlines:
Crisis Management and Communications 7. Polish Perspectives on Netflix
COVID-19 Relief Funds Michä Pabi¿-Orzeszyna 8. Studio Construction in
Ireland-Boom, Bubble-or Both? Bill Grantham 9. Indian Pandemic
Entertainment Aesthetics and Infrastructure Darshana Sreedhar Mini 10. "Not
Essential": The Controversial Status of Turkish Dizis Zeynep Sertbulut 11.
COVID Variants and Colonial Remnants in South African Media Industries
Jessica Dickson 12. Shooting with a Long Lens: Three Interviews with a
Feminist Filmmaker in the Age of US Racial Reckonings Angela Tucker and
Vicki Mayer 13. Work Contracts and Creative Justice for Turkey Ergin Bulut
14. Working From Home for Abroad: (Re)configurations of the Brazilian
Animation Industry Elena Altheman 15. Fraught Gathering: Studio-Exhibitor
Reckoning at CinemaCon 2021 Charlotte Orzel 16. Collaborative Networks for
Streaming Film Festivals as Crisis Responses in Germany Skadi Loist 17.
Multi-Cinemas and the Moment of Meme Capitalism Toby Miller PART III:
Lessons Learned about Crises 18. Combat Lessons on the Decline of Democracy
in/on Israeli Television News Noa Lavie 19. Taking a Cue from the COVID
Lobby: Lessons for Greening Dutch Film Production Judith Keilbach 20. COVID
Choreography in the U.K.: Redefining Intimacy on Set Tanya Horeck and Susan
Berridge 21. Lessons from Mumbai: Managing the Lockdowns in Two Media
Industries Tejaswini Ganti 22. Riding the Roller Coaster: Scenes from the
Chinese Film Industry Ying Zhu 23. Epilogue: Learning from One Particular
Crisis Miranda Banks, Vicki Mayer, and Noa Lavie