Media Critique in the Age of Gillray reflects on print and paper culture of the late eighteenth and early nineteenth centuries, crafting a new approach to British visual culture.
Media Critique in the Age of Gillray reflects on print and paper culture of the late eighteenth and early nineteenth centuries, crafting a new approach to British visual culture.
Joseph Monteyne is an associate professor in the Department of Art History, Visual Art, and Theory at the University of British Columbia.
Inhaltsangabe
Introduction: Making and Unmaking the Paper World 1. Dark Media and the Materiality of Nothing Dark Media and Graphic Materiality Smoked Images and Night Pieces: Touching Nothing Form and Formlessness in Blake’s Embedded Media 2. Haunted Media Conjuring Dead Painters The Baseless Fabric of Print Dematerializing Media 3. Good Copies, Bad Copies Counterfeit Masks Repetition with Difference Pairs of Portraits 4. Social Detritus, Paper Detritus Blind Beggars and Printed Images Cobbling, Patching, Translating The Gatherer of Scraps
Introduction: Making and Unmaking the Paper World 1. Dark Media and the Materiality of Nothing Dark Media and Graphic Materiality Smoked Images and Night Pieces: Touching Nothing Form and Formlessness in Blake’s Embedded Media 2. Haunted Media Conjuring Dead Painters The Baseless Fabric of Print Dematerializing Media 3. Good Copies, Bad Copies Counterfeit Masks Repetition with Difference Pairs of Portraits 4. Social Detritus, Paper Detritus Blind Beggars and Printed Images Cobbling, Patching, Translating The Gatherer of Scraps
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