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Taking a wholly different perspective on Max Ernst and alchemy, the author persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.

Produktbeschreibung
Taking a wholly different perspective on Max Ernst and alchemy, the author persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.
Autorenporträt
M. E. Warlick is Professor of European Modern Art at the University of Denver.