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This is the first time that Max Beckmann's work has been examined in relation to Berlin, and its significance for his art. He lived there as a young artist, between 1904 and 1914, and again between 1933 and 1937, only emigrating to Amsterdam when the Nazis seized power. During his Frankfurt years, between 1915 and 1933, he often travelled to Berlin and was part of its Art Scene, which he helped to form. This catalogue represents the latest research into Beckmann and features numerous important works of his, which were either created in Berlin, or are connected to the city through their Subject, or were shown in major Berlin exhibitions.…mehr

Produktbeschreibung
This is the first time that Max Beckmann's work has been examined in relation to Berlin, and its significance for his art. He lived there as a young artist, between 1904 and 1914, and again between 1933 and 1937, only emigrating to Amsterdam when the Nazis seized power. During his Frankfurt years, between 1915 and 1933, he often travelled to Berlin and was part of its Art Scene, which he helped to form. This catalogue represents the latest research into Beckmann and features numerous important works of his, which were either created in Berlin, or are connected to the city through their Subject, or were shown in major Berlin exhibitions.
Autorenporträt
Max Beckmann, 1884 in Leipzig geboren, besuchte von 1899 bis 1903 die Weimarer Akademie. Er lebte in Paris, Genf und Florenz und ab 1907 in Berlin. 1915 zog er nach Frankfurt am Main, dort lehrte er bis 1933 an der Städel-Kunstschule. 1937 emigrierte er nach Holland und übersiedelte 1947 von dort nach New York, wo er 1950 in New York starb.

Cathrin Klingsöhr-Leroy ist promovierte Kunsthistorikerin. Tätig als wissenschaftliche Mitarbeiterin der Bayerischen Staatsgemäldesammlungen im Bereich Klassische Moderne.